LIBRARY 


M Knoedler& Coa 
14 East 57th St. 


ml 


JOU FOR COROT 
ATART OALE THAT 
PETOHES STGdg7 


Ag = 


Another Painting Catalogued as Corot 
Sold by Mr. Kirby as 
“Attributed.” 


ol Ce ete ae 


Much interést was shown in the final 
Sale of the collection of old and modern 
paintings under the auspices of the Ameri- 
can Art Galleries in the ballroom of the 
Plaza Hotel last night. 

The bidding was more spirited than at| 
the first sale and as a result better prices 
prevailed for the eighty-four pictures sold. 

The leading price of the night was 
$6,900, which was paid by the Ralston 
Galleries for Corot’s ‘Les Jeux du Ber- 
ger.”’ The second best price was ‘$4,900 
for Van Marcke’s “The White Cow and | 
the Herd.”’ | 

John Levy bought a second picture by 
Van Marcke entitled “‘Landsc ape and 
Cattle’” for $4,200. The Kraushaar Gal- 
leries save $4,100 for Adolphe Monticelli’s 

“Woodland Landscape.” Messrs. Scott & 
Fowles paid $3,500 for George Innes’ 
‘Golder’ Sunset.” . M; Knoedler purchased 
Josef Israels* “Fhe New Born” for $3,200. 

Messrs. Clapp & Graham paid $3,750 for 
Bouguereau’s “Young Mother and Child.” 
A. Reiman re Daubigny’s  Gal-| 


scape” for ‘$3,000. The Kraushaar Gal- 
leries ph Vibert’s “Le Mepris du 
Trone” for 32,600, Cc lapp & Graham paid 
$2,300 for Ridgway Knight’s “Harv esting 
the Potatoes,” and the Holland Galleries | 
41,850 for Henner’s “Tete de Femme.” 

(n putting up No. 107, which was Corot’s | 
“Au Bord du Lac,” which was knocked | 
down to Dr. F, Frank for $700, Thomas B,! 
Kirby said that he wished all those pres-| 
ent to correct their catalogues and make 
this picture appear .as ‘attributed to 
Corot.” Mr. Kirby added that when, the| 
catalogue was made ‘he had no doubt as| 
to the authenticity of this painting which 
was one of the most admired of all in 
the exhibition, but in spite of the seem- 
ingly perfect pedigree of the canvas he 
had decided to take no risks in the mat- 
ter on account of some information that! 
had reached him. He said -that he had| 
been always so careful with Corots that | 
only one out of 250 sold by the American 
Art Galleries had been challenged, 

The total for the night was $66,557 and 
the grand total for the two nights is} 
$115,397, 

Other pictures sold, the artists, the 
‘buyers and prices being given in that order, | 
were:— 

“Cows at the Brook,’? William Hart; Clapp 
& Graham) .-.-.+ +. sine MU eaaeidie ie odie wich «-- $210 


emyening,” ae TAibsineas H. Wyant; Scott & 
Fowles...... 


*In the Low Countries, ” Willem Maris; 
Holland Galleries. , 
.. ‘Dunkerque Harbor,’* Eugene Boudin; Scott 
& Fowles wee) SIO 
‘ 160 
Tea aly Henri paspiwaies: O,. Bernet. 870 
“Interior with Figures,’’ Johan §. Kever; 
Holland Galleries......... 
**Aux Bords du Lac,’? Jean B. , “Corot: Dr. 
¥. Frank. 
“Tn the English Channel, ’’ Harry Chase; 
A. Bernet 
**Afternoon Shadows, ” William M. Oss, 
Ww. Macheth .4.2.c ic, e5uh 
“Near Annisquam, ”? Frank K, Me ‘Rehn; Ww. 
Ww. 
*‘Connecticnt Landscape,”’ William H. Gib- 
son; J. C, Wilberer 
“‘Keene Valley,’? Roswell M. Shurtleff; W. 
H. Wheelock 
“‘Head,”’ F. A. Kaulbach; Dr. FP, Frank... 
“Paysage,’’ Emile Van Marcke; W. W. Sea- 
man, 
“Fete Champetre,’? 
Scott & Fowler 
“At Low Tide,’’ Gustave Courbet; 
Avenue Antique Shop 
"*4 Gray Day,’’ Cesar de Cock; L. T. Parker 
“In the Cathedral,'’’ Johannes Bosboom; 
Holland  Gallerieys cstid. sods Ve vo ak nee a 
“Phe Lock Bridge,’’ F, J. Vs du Chattel; 
Seaman (agent) 
“The White Bireh,’? Theophile de Bock 
¥. Henderson 
“The River,’’ Jose Weiss; 2. H, M. Gallery. 
‘Waiting,’’ Gabriel C. Von Max; Le Roy.. 
‘On the Shores,'’ Henry P. Smith; Seaman 


“Clouds and Sunshine,’? Thomas Moran; 
Bernet (agent) ... 

*“Landseape,’? Elliott Daingerfield; 
Levy 

“Old Oaks,’? Henry Pember Smith; Dr. 

> Bois in Winter,’ Fritz Thanlow; 

“Woodland Worship,’’ 
Kraushaar 

*‘Landscape,"’ Theophile de Bock; Holland 
Gallery 

“Luandscape,’’ Henri Harpignies; E. Reiman. 2 
‘Beildal Party,’* Francois A. Grison: Dr, 
FY) Prenk. 3 .4.. 

“Landscape and Sheep,’’ Hugene 
boeckhoren; Clapp & Graham 

*Ceremony in the Wocds,’’ Adelphe Monti 
celli; Mirs. B. T. Huntington 

“The Old Bridge,’’ Frits Thaulew; Knoed- 
ler & Co.... 

“By the Brimming River,’’ 
Knight; Holland Gallery ey, oe 

™Ameterdam,’’ Theophile de Sock; Scott 
& Fowles ‘ 

“Called to Account,’’ Ww. Dendy Sadler; 
C, W. Kraushaar...... 

“Sheep, and Cattle,’ George Vicat 
a, OP, 
"The Storm’,’ Henry P, Smith; 
aren am... 


Sen; Holland Gallery. 
“Hoppily Seite"? Karl Raupp; 
Mac rs 


57,000 PAID FOR AY 
JOSHUA REYNOLDS, 


| 


JT S00 SUE 


€ #7 
American and Foreign Pictures I 
—Van Gelder Portrait ; 
for $4,000. 


————_—__+¢—_____ 


masters of the foreign and American 
Schools displayed interest in the first ses- 
Sion of two sales of a collection of 176 
paintings under the auspices of the Amer- 
ican Art Galleries, held in the Plaza Hotel, | j 
last night. The leading price was $7,000 
paid ‘by Messrs. Lewis and Simmons for | 
Sir Joshua Reynolds’ portrait of Anthony j 


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~ WITH MODERN ART 


Murillo, Reynolds, Van Dyck, 
Corot and Inness Paint- 
ings Shown. 


ft: cnn geal Mae | 
‘BXHIBITION AT PLAZA, 


‘Rare Arms and Armor Make 
© Up Notable Collection. | 
me): for Sale. - 


joe ! 


‘ 


I 


) & col 


y lection of paintings, both classic 
gnd modern, together with an important 
ection of arms and armor, fill the 
jes of the American Art Associa-~ 
t and will remain on public view. a 
-days unt{] the sales, The paintings 
be sold in the Hotel Plaza on two 
; February 10 and 11, and the 
1 of the armor will take place 
1 and 8 at the galleries. 
paintings are ranged sharply in 
divisions, and in the hanging the 
‘tion has been followed, so that 
entrance galleries one finds the old 
s, and in the inner rooms, works 
. favorites. It has been some 
many old masters have 
market, and on the list 


| 
ry 


as to which of these/| 
are greatest, the connois-' 
bly find his attention first ; 
‘the Murillo, which, in fact, 
given the place of honor, It is) 
that is different from the) 
Murillo that has much of the 
‘race quality of a nation that 
dark as well as bright pages in| 


Picture Within a Picture. . 


1 it is a portrayal of a saint, 
| saint at that, there is some-: 
‘and sinister in the visage 

in -the picture within the 


e, and bearing aloft the 
1 used go effectively 


Net ee of the 


queen Charlotte inthe portrait by Sir | 
William Beechey also has a ttle dog, 
a spaniel, which she-carries in her arms. 
Another of Beechey’s portraits is of an 
English nobleman in his peer's robes, 
very resplendent. ‘Anthony Chamier.” 
in the portrait by Sir Joshua Reynolds, 
|has all the suave composure that Sir 
| Joshua, who loved calmness, could put 
into it. The coat and breeches are of a 
most attractive snuff color. 
| “The Duchess of Portsmouth,” by Sir 
eee Lely, has the heavy voluptuous- 
ness characteristic not only of Lely but | 
also of the court of Charles Il., where 
oth flourished. Not quite so alluring, 
physically, perhaps, is the lady in the | 
portrait by Jan van Ravesteyn, but she 
has mere artistic elegances. The ruff) 
is surely the finest ever seen, and the} 
laca cuffs, the embroidered vest, and | 
even the hands, have a sure value in the 
decorative scheme. 
Mierevelt’s man is an excuse for much | 
study of textiles, Raeburn’s has charac- { 
ter study, and the pair of portraits la- | 
belled “Dutch School” are eminently | 
| decorative. The “Family of the Artist,” 
iby Jan Steen, is an interesting composi- 
\tion, and the ‘Musical Party,’ by Dirk 
| Hals, is highly amusing. 
| 


Several Modern Works Shown. 


° 

Among the modern works is a sunset 
by George Inness, which is rich and 
mellow;. the “Shepherds at Play,” by 
Corot, which is pearly and atmospheric; 
a Daubdigny River scene and two vigor- 
ous, direct landscapes by Harpignies. 
A. watercolor by William Mares is 
| thoroughly charming, and Boudens’s 
|“Dunkerque’ and Theophile de Bock’s 
“Amsterdam” are excellently painted. 
| Lovers of Monticelli will rejoice to find 
}no lees than seven of his works, They 
are molten in color, suggestive, as one 
admirer was overheard saying yester- 
day, of the richness of old glass. Other 
notable canvases are by W. M. Chase, 
Homer Martin and Alexander Wyant. 


Sir Joshua’s “Portrait of An- 
__thony Chamier” Brings 
_ $7,000 at the Plaza. 


PTA Oe ne Te NT 


(81 PICTURES FOR $48,840 


Van Gelder’s “David and Bath- 
_ sheba” Fetches $4,000, and Mu- 


fi 


‘rillo’s “San Fernando” $3,500. 


Wighty-one pictures of Engiish, Dutch, 
y 


ek 


nd other old masters, sold by executors 


_ Plaza last evening, under the auspices 
or ‘the _ American Art Association, 
brought $48,840. Sir Joshua Reynolds's 
“Portrait ~of Anthony Chamier ” 

brought the highest price, 
_ Lewis & Simmons for $7,000. To the 
| game buyers went Aert Van Gelder’s 
| ** David and Bathsheba,”’ which brought 


' the second highest price of the sale, 


$4,000. *"San Fernando,”’ by. Murillo, 
which brought the third highest price 
ef the sale, $3,500, went to A. Reiman. 

A large and attractive portrait,’ ‘‘ Miss 


Broughton Holding a Mask," by Fran- 


eis Cotes, sold for a private collector, 


went to Mrs. George Leary for $1,000, 


' the gross returns to go to the Red Cross. 
This was purchased by the owner as & 


gift for her son, who was not able to 
“ise it in his house. The seller offered 
the net returns to the Red Cross and 


and trustees of different estates and for 
humber of private owners, at the 


going to) 


4 


the American Art Association made the > 


contribution of the selling cost. 
The Pictures and Prices. 


Following is a Mst of the pictures 
bringing $150 and over: 


: @—Portrait of a Boy, Laughing—Frans 


| 


{ 
i 
| 


Hals; Kileinberger Galleried.....+++.- $950 
a Wiew—Willem Van de Velde; 
Beott & Fowles......:c.seeesesveceves 450 
&—The Fishermen’s Departure—Fran- 
cis Wheatley; Scott & Fowles.......-. 310 
@—Landscape—fnglish School; M. Ash, 
y ent Bud Ube wrap e © 6 6 a deere ep aw ee Lia SOP | 175, | 
Portrait of a Young Lady—English 
School; R. Ecerheimer ..eeesesseees 180 
16—Portrait of a Man—Attributed to P. 
' _®. Rubens; A. Strolen......... aL ouea 210 
“Wi—The Family of the Artist-—Jan 
Steen; Scott & Wowles.........++5.- 3,000 
42—Portrait a Cardinal Ricci—Sciptio 
“Pulzone, (ca led Gaetano;) Seamen, 
Welty Sere Nate sale Clete Ci, Sew Ae 425 
14—Portrait of Jerome, (Weston,) Sec- 
ond arl of Portland—Sir A. Van 
Dyck; Seaman, agent......-...se0++: 475 
35—Landscape: Moonlight—Manner of 
Aert Van der Neer; Scott & Fowles.. 210 
56—A Peasant—Dutch School; Property 
|. of a Private Collector... ......+.++-4+ 7S 
| 47—The ~ Mountebanks—Jakob Duck; 
Bhrich Galleries........ Fae casos ieee 1,050 
The Legend or St... Christopher— 
Jerome Bosch; R. Ederheimer........ 425 


4@—A Dutch Canal with Fishermen— 


{ 


\ 


Stes oy SET OVO. edi 4) cote bb ae nee we 
a ae Pa a Marquise—French 


ot 
ol; ron G. 
Uae Dorthait of Comtéese, de Bougain- 


Jan Van Coyen; Klemberger Galleries 
21-—Seascape—Attributed to Jan Van 


THOMA. i bias ales es 


| 
! 


rtr y of the Duc de 
ortema. ; Bernet, agent.. 1,225 
‘Port! a  Warrior—French { 
WH e AS Burnett... .ceerevecee 160.) 
&4—Portrait of a Man—Cornelis Jans- | 
‘ me; Seott & FPowles.......+cseseees _ 525 
ortrait of a Lady-—Louis Tocqus; 
EE. Ay oman 0 ete 6 Hie we 8 Bem We ep see 4 480 
68A Musical Party--Dirk Hals; Klein- 
berger Galleries ...c+-eeeseorsenss .. 2,800 
$7<-The Interior of an Artist's Stud! 
- @imon Kick; G. F. Muller......++-++: 190 
38—Sheep and Lambs—Verboesckhoven 5 i 
W, PioFrank.....cessereee ul gal yia ke shoe Cole Ree 
| 80—Portrait of a Lady—Cornelis Jana  — 
gens; H. Chester 2.2.66. e bese ere at 280 | 
'40—Portrait of a Lady with Her Daugh- / 
ter—English school; F. Baumeister... 170 | 
42—Portrait of an Englishman—Attrib- ; 
uted to Sir Joshua Reynolds; G. 
Mullery ou... See MEL Src bye ary tre bs Sree 350 — 
| 48—Portrait of ea Young Lady—Sir \ 
Willfam Beechey; W..A. Burnett.... LH0 | 
#4—Portrait of 4 Woman—Michiel Jans | 
Miereveit; Seaman, agent....+.-+-+:> 525 | 
46—Portrait of a Lady—Jan Van Rave- / 
| gteyn; Satinover Galleries..........-. 400 | 
4—Portrait of a Seigneur de Ripperda | 
—Dutch School; F. Baumeister...... 275 | 
47—Portrait of Aysma Van Lauta— | 
| Dutch School; F. Baumeister.......- 425 | 
48&—David and Bathsheba—Aert Van 
Gelder; Lewis & Simmons.......--+. 4,000 | 
60—Tne Duchesse de Chevreuse—At- } 
tributed to Pierre Mignard; A. Ol- | 
VOTES ss es bed ew bees glee Mair Ce ae 220 . 
Si—Portrait of a Lady of the Court 
—Henri Gascard ...seseesecrserece rie. 160 | 
{2—Portrait of a Lady—Van Loo; Ww. 
‘An Burnett.“ ., <0 ce0ce seales Wes seen esta 206 
538—Portrait of Two Young Girls-—- 
Gornelis de Vos; G. F. Muller...-..- 290 | 
S4—rortrait of a Lady—Spanish School; \ 
Bhrich Galleries ..... 1.6 ree secs seers 1,750 | 


&—Portrait of Eleonora of Toledo and 
Her Son-—-Angelo Bronzino; Schnorer 


GBIOTIGS bs cece ok sys 84 ohne ein lenieie lays ie ae 750 
&6—Portrait of a Man—Jans Mierevelt; . 
| - Yyouis & Simmons... .- eee ee eres ecese 1,500 
S7—Portrait of a Man—Itaifan School; 
Park Avenue Antiaue Shop..-«ss.+-> 220 
®8—Portrait of a Young Man—Ferdi- 
nand Bol; Kleinberger Galleries..... 2,300 
§9—Arne, Countess of Worthumberland 
—Sir Peter Lely; E. F. Mulle.....-.-- 3TS 


| 62—His First Pair; 


| William Beechey; Scott & Fowles.... 925 
| T0—Portrait of a Man-Sir Henry Rae~- 
| burn; Mrs. George Leavy...+-.-+.+++ 300 
"1Portrait of Lucy, Countess of Car- 
lisile—Sir A. Van Dyck; Olirott! & Co. 278 
94—San Fernando—Murillo; A. Rie- 
PUTA Se hws ei © 5 Reena ee ie ee ard 8,50 
%@—Portrait of a Lady—Flemish School; 
w. A. Burnett...,..00:.+. Pais Aes - 190 
*7__Portrait of a Lord Mayor of Lon- 
don—Gainsborough Dupont; W. A. 
Burnett i... ss oa dials eles tee eas vias 2iG.- 
78-—-Cupid Disarmed—-Eugene Antoine 
Guillon; Holland Galleries......+.++, 160 
¥@—Portrait of an English Nobleman 
Sir William Beechey; W. A. Burnett. 200 
&0>—Landscape, with Cattle and Goats 
~Hugene Joseph Verboeckhoven; 
Clapp & Graham,......+.+-sesereees . TES 
()—Portrait of Isabella, Lady De La ‘ 
Warr-Sir A. Van Dyck; Knoedler & | 
Bias Task chive Se we AAs AA ay: aie Gheat . 1,300 | 
The paintings were sold by Thomas B. | 
yids The sale will be concluded this) 
| even 


$1—Miss Broughton, Holding a Mask— 
Frantis Cotes, R. A.; Mrs. G. Leary. 1,€C0 
William Redmore 


Bigg; George B. Wheeler....-.--++-- 350 
68—Portrait of a Lady—English Schooi; 

¥. Baumeister ....-0+eeecses T3 caves 176 
64— Portrait of Queen Catharine of Bra- 

ganza—Attributed to Sir Peter Lely; 

F, Baumeister ...--ceecvse scenes sete 180 
@5—The Duchess of Portsmouth—Sir 

Peter Lely; Mrs. George Leavy...... 3800 
66—Portrait of a Lady—Jean Baptiste 

Van Loo; F. Baumeister.......+.++-- 150 
8@7—Portrait of a Spanish Lady—Aionso 

Sanchez Coello; Baron G. Thaumitz.. 266 


 68—Portrait of Anthony Chamier—Sir 


Joshua Reynolds; Frank F. Simmons. 7,000 
68—Portrait of Queen Charlotte — Sir 


ng. when the modern paintings will 
be sold. 


nc atignate stab ie esate 


: 


_-Graham for only $57 
large to be salable. 


k 


i 


re A Ark 4 Se 
© hin ahh Aner: 


American Art 


ART AND BOOK SALES 


Combination Picture Sale! ads 7 


Some 80 oils out of a total of 175, the 
first part of a collection assembled by the 


Association 


from~- several 


private owners, executors of estates and 
which included presumably some works 


from dealers’ 


stocks, were sold 


by Mr 


Thomas E. Kirby at the first session of a 
sale on Mon. eve. last, Feb. 10, in the Plaza 
ballroom, for a total of $48,840. There was 
a fair attendance but the bidding was not. 
spirited, save in the case of the good ex- 
ample of Sir Joshua Reynolds’ “Portrait of 
Anthony Chaumier,’’ which, while not a 
great, was a pleasing canvas in the master’s 


quieter manner and which, after lively com-. 
was secured by Lewis and Sim- 
000. The curious Murillo, “Sam 
brought only $3,500, and the 


petition, 
mons for $7, 
Fernando,” 


large standing full-length “Portrait of Lady 
Delawarr,”’ attributed to Van Dyck, only 
$1,300 from Knoedler & Co., the only pur- 


chase made by that firm. The large nee 
the | 


boeckhoven, “Landscape and Cattle,” 


finest example that ever came on_the auc-— 
tion market in this city, went to Clapp and. 


5 as the canvas was too 
That a work attributed 
to Raeburn brought only $300, and others 
given to great names sold in the hundreds, 


tells the story of the sale which was largely | 
made up of attributed pictures, frankly so 
labelled in the catalog. 

The pictures sold, with artists’ names 
titles, sizes, buyers’ names and prices follow: | 


No. 


S 


PO ut ee 


y oN 


Artist Title Buyer 
Dutch School, ‘Portrait of a Man,” 
Panel, 814x634. W. Neustadt........ 


Hals, Frans (After), “Portrait of Boy, 
Laughing,’ Panel, 13x13. Kleinberger 


CENTRES a) 2 SR eee ee cee 
Dutch School, “The Smoker,” 1234x934. 


OU Se RENT ee Ae Se a ee 
Van De Velde, “Sea View,’ 12x18. 
RUPEE! OE OMICS, dele) ba etka Ca eee 


Wheatley, Francis, ‘“The Fisherman‘s De- 
parture,” 18x22%4. Scott and Fowles. 
aes ae School, “Landscape,” 12x17%. 
. Ash, Agt 
Ribera, J. (A 


oS dais Ribs Be Uwe CRO HHO Ks 


ttributed), ‘‘Portrait of a 
Man,” 15x18%. Seaman, Agt. 
Cotman, John S., “‘At the Pier,” 24x18. 
Mrs. H. A. Goman 
English School, “Portrait of a Young 
Lady,” 29%4x24Y%. R. Ederheimer.... 
Rubens (Attributed), “Portrait of a Man,” 
_ Panel, 25x19. Strolen 
Steen, Jan, “Family of the Artist,’ Panel, 
251%4x19. Scott and Fowles 
Pulzone (Called Gaetano), ‘‘Portrait of 
Cardinal Ricci, 26%x20. Seaman, Agt. 
English School, “Portrait of a Lady,” 
1s ONE bin ot nes ar 
Van Dyck, ‘Portrait of Jerome (Weston), 
Second Earl of Portland,” 25x2334. 
Seaman, Agt. 
Van der Neer (Manner of), “Landscape: 
Moonlight,” Panel, 25x19!%4. Scott and 
Fowles 
Dutch School, ‘‘A Peasant,’ 20x26. A. 
Strohlen 
Duck, Jakob, “The Mountebanks,” Panel, 
1834 x27 | > Ehrich: ‘Galleries........- 


Oe sa meer, woes -& 6 ors: 618 


6 a ae So Oe ee = 


lee io a a) Set, « 


eo ys aie ¢ ¢ bs Bue sea 6 © 946 6) 8g 


aed) Fe ot 6 2 8 4 Re 6 Se 6.8 Ble 6 84) 8H 


ht 8 + oO} Oe Hee 2h ee 8 8 ee 


Bosch, Jerome, ‘Legend of St. Christo- 
pher,” Panel, 1934x13%. RR. Eder- 
Le Gt eS es Gee ee Oe Pee aan eae 

Goyen, J. Van. “‘Dutch Canal with Fisher- 
men,” Panel, 14x17. Kleinberger Gal- 
PENT IOS cae ee Te vi aah kd nis 8 lane rotehs 

Van der Neer, “A Landscape by Moon-- 
light,” 22x28. Satinover Galleries..... 

Van Goyen (Attributed), ‘‘Seascape,” 

Adve Strohten 5.3% ohne 


Panel, 20x29. 
chool. “Portrait of a Marquise 


Price 


$30 


950 

50 
450 
310 
173 
146 

75 


| 
| 


| 


36. 


Desoria, J. ©. &; “The Princesse 
Lamballe,”’ 30x25. L.-L. Gillespie.... 
English School, “Portrait of a Lady,” 


30x25. Harrison Becker ...;......-- 
Lawrence (Attributed), ‘‘Louisa, Duchess 

of St. Albans,” 30x25. Seaman, Agt. 230 
English School, “A Wreck Off Dover,” 

96x36. R. Glendenning .....+...5+.+- 120 
French School, “Portrait of Princess Pala- 

tine,’ 3214x26. A. Olivotti .......-.. 140 
Nattier, J. M. (Attributed), “Portrait 

(Supposed) of the Duc De Monte- ~ 

mattre,” 32x26. Bernet, Agt.....-... 1,225 
French School, “Portrait of a Warrior,” 

32x25%%. W. A. Burnett ......-+-.-. 160 
De Troy, N. (Attributed), ‘Portrait of 

a Lady,” 32%x25%. A. Olivotti..... 120 
Campi, G., ‘“‘Portrait of a Gentleman,” 

2914x23. A. Olivotti ......++..-- eeu 100 
Janssens, C., Portrait of 2 Man,” 31x25: | 

Scott’ and. FowleS ...-..ce2.s2+05. sas 525 
Tocaué, L., ‘‘Portrait of a Dady} y a2% 

25%. H. A. Goman-s........+.+-+2s 450 
Hals, Dirk, ““A Musical Party,” 26x32. 

Kleinberger Galleries ....+.-..evecees 2,800 
Kick, Simon, “Interior of an Artist’s 

Studio,” Panel, 3614x274. G. F. 

Wee lero see nu eee ee eign site's 190 
Verboeckhoven, FE. J., ‘Sheep and 

Lambs,” 24x32%. Dr. F. Frank..... 525 
Janssens, C., “‘Portrait of a Lady,” Panel, 

Gt Sa d feeed) Chestens cismacle = een wine 280 
English School, ‘Portrait of_a Lady with 

Her Daughter,” 45x35. F. Baumeister 170 
Lawrence (Period of), “Portrait _of_the 

Hon. Mrs. Wolff,’ 32%x27. F. Bau- 

FAP Het ee MR Oye See Sed Pvc eat a oa WOR ey ae 130 
Reynolds (Attributed), ‘Portrait of an 

Englishman,” 36x28. G. F. Muller.... 350 
Beechey, Sir W., ‘Portrait of a Young 

Lady,’’ 41x33. W. A. Burnett........ 190 
Mierevelt, M. J., “Portrait of a Woman,” 

Panel, 4414x33. Seaman, Agt. ...... 525 
Ravesteyn, J. Van, “Portrait of a Lady,” 

Panel, 41x30%. Satinover Galleries... 400 
Dutch School, “Portrait of a Seigneur 

De Ripperda,” Panel, 451%4x33. F. Bau- 

SHLCLSECTS Pare cee elak ec as aay it leo % 275 
Dutch School, “Portrait of Aysma Van 

Lanta,” Panel, 4514x33. F. Baumeister 425 
Van Gelder, “David and Bathsheba,” 34x- 

91%. Lewis and Simmons .......... > 4,900 | 
Dutch School, “Portrait of a Lady,’”’ 33x- 

25. Weston Galleries... 686.0. esas 140 
Pierre Mignard (Attributed), “The Du- I 

chesse De Chevreuse,” 42x33. <A. Oli- | 

CE EE eR aes cictate aia io oie) erals aieraeds nie S20 we 230 

= | s . 

Comb’n Picture Sale (Continued) 
Gascard, H., “Portrait of a Lady of the 

Court,” 48%x38. F. Baumeister...... 160 
Van Loo, J. By, -“Portrait. of a. Lady;” 

APS i) VAY ANS, SOUSMEEU ee Oe be ae os 260 
De Vos, C., “Portraits of Two Young 

Girls! 36x45, ~ Gi BoeMiaier jayo. «os 290 
Spanish School, “Portrait of a Lady,” 

aOx54,..-Ehrieh Gatlestegicn 0. ig... 1.750 
Bronzino, A., ‘‘Portrait of Eleonora of 

Toledo and_ Her Son,” Panel, 46x38%. 

mo ttIO Ver aa erseS hx dh yt wate soc Wis VS 750 
Mierevelt, M. J., “Portrait of a Man,” 

Panel, 48%x35. Lewis and Simmons 1,500 
Italian School, ‘‘Portrait of a Man,” 40x- 

D0 Jore Nierstabl oc. ieee aeetels hus 3 220 
Bol; Ferdinand, =“Portrait of a Young 

Man,” 48x36. Kleinberger Galleries.. 2,300 
Lely, Sir Peter, ‘‘Anne, Countess of 

Northumberland, 46x32%. G. F. Mul- 

CE Za fro ain wie Ces te a es B Pak 
Lely, Sir Peter (Attributed), ‘Portrait of 

Nell Gwyn,’ 47%x40. R. Glendenning 130 
Cotes, Francis, “Miss Broughton, Hold- 

_ing a Mask,” 491%4x39%. Mrs. G. Leary 1,000 
Bigg; W. RK. “His First! Pair,” .40x50, 

(eG th OW Neher [0c wrcridn ngs ON ped 350 
English School, ‘‘Portrait of a Lady,” 

47x40, Bo Baumeister... us we wees 170 
Lely, Sir Peter (Attributed), ‘‘Portrait of 

Queen Catharine of Braganza,’’ 47x39. 

De > AURA ECE Oe) ve mele tan a wikte ws 180 
Lely, Sir Peter (Attributed), “The Du- 

chess of Portsmouth,” 50x40. Mrs. Geo. 

Bearer eth eh eat eee og Ae ge ee ramen 360 
Van Loo, J. B., “Portrait of a Lady,” 

Sigsdeweal. Ratimietster Ol Jets wy es sco 150 
Coelle; (Ay Ss, :,“Portratt. of" @— Spanish: 

Lady,” 51x41%. Baron G, Thomttz.. 260 
Reynolds, Sir Joshua, “Portrait of An- 

thony Chamier,” 50x40. Lewis and 

SPERIESROUS. Jew! 5's ote eine vio we ges Ve ald 7,000 


Weeeoyen, oir A. -(Attributed); “Por. 
trait of Lucy, Countess of Carlisle,” 


Breext0, = Olivattt @ Co. ........02.. Pa fs 
72, Lawrence, Sir Thomas (Period), ‘‘Portrait 

of a Lady,” 50x40. W. A. Burnett.. 110 
73. Lely, Sir Peter, ‘The Countess of Roches- 

ter UR aur els. Eeeeeespie ...... 2. 140 
74, Murillo, “San Fernando,” 67x45. <A. Rei- 

PeprerReN re hn Nr eRe. 2. os kn ae Cah va 3,500 
750. Prud hon, Pierre, “‘Cupid and Psyche,” 

Come oe Veen, UOUTHett 2... ce nes 140 
76. Flemish School, “Portrait of a Lady,” 

Pea A NNN STOLE Ske es ads 190 
77. Gainsborough, Dupont, ‘Portrait of a 

Lord Mayor of London,” 51x40. W. A. 

PRET ne NC ys cg eres so ¥lenal v6 vee ae 210 
78. Guillon, E. A., “Cupid Disarmed,” 68x43. 

PG latiOaGAWOTICS. oh jive k. ces suis ee a als 160 


79, Beechey, Sir Wm., “Portrait of an Eng- 
lish Nobleman.”’ 66x52. W. A. Burnett 200 
80. Verboeckhoven, EF. “landscape with 


Cattle and Goats,” 61x72%. Clapp 
k PETS T UMAR via Sex behets ds sas ca eo 5's 575 
81. Van Dyck, “Portrait of Isabella, Lady 


De La Warr;” 85x53. 


POLAN press + aS eam ay MSR a. <9 Sle v's» Bd $48, 840 


(Second Session) 


At the second and concluding session of 
the sale Tuesday evening last, again in the 
Plaza ballroom, the pictures dispersed were 
of the modern foreign and a few of the 
modern American school, and brought a 
total of $66,557.50 which, added to the total 
of Monday night’s sale of $48,840, less 
$230 for three pictures resold Tues. eve., 
made a grand total of $115,167.50 for the 
sale. 

The attendance was smaller than on Mon- 
day evening, and the bidding was not 


Knoedler & Co. 1,300 


spirited. Good prices for the material 
offered were, however, obtained, on the 
whole. The varying prices of the Monti- 


cellis was due to their varying quality. The 
highest price was $6,900, paid by the Ralston 


Galiesias, for the fine Corot, “Shepherd and 
Shepherdess at Play,” from the William H. 
Stewart and Isidor Wormser collections. 
An unusual and typical example of Van 
Marcke sold to Mr. John Levy for $4,200. 


_ The three pictures resold from the first 
night’s sale, Nos. 28, 39 and 60, of the cata- 
log, were bought, respectively, ‘the first two 
by Mr. W. A. Burnett, and the third by 
Mer, C. A, Giuglielmetti, and brought the 
first night’s total down $230. 


_ The pictures sold with artists’ names, 
titles, buyers’ names and prices follow: 
| No. Artist Title Buyer Price 
82. Moran, J. L., ““The Mirror’ (Watercolor), 
Pe SEO, Tt, BOK ii. ok co es 15250 
83. Hart, Wm., “Cows at the Brook,” 9x7™%, 
| Clapp BOR At ILE ai Fo: 505 whys. vio lak ins 210 
| 84. Duvieux, H., Pe iiset. 2 534x100 Wm, HH, 
ne es eee eae ar 45 
85. Knoop, A., ‘The Connoisseurs,” Panel, 
pb EOS ESTAS tr Cy gl ee 110 
_ 86. Berboeckhoven, E. J., “‘Cattle Study,” 
(Drawing), 8x11 ¥4, Seaman, Agt.. 60 
87. Schroeder, A., ‘‘A Cavalier,” Panel, 
914x12%, VES seg 101 ada Weg eee tee ea 60 
88. Merle, H., “Abraham and Isaac” (Water- 
color); 444%334, H. R: te? Jz 35 
89. Monticelli, “Deux Femmes,” 57x43, 
EE PO EPAVIIEOU, be kc uh parm cae 210 
90. Schleicher, -C., “Expounding the Tal- 
mud,’’ Panel, 10x12, Robt. Hyman.. 105 
as Blakelock, Re AL “Autumn Landscape,” 
8x54, ‘Charles CEES reo 360 
92. De Eguisquiza, “The Visitor,’ Panel 
1394x934, Robt. Hyman .......:.... 40 
- 93. Monticelli, A., “Figure Group,” 914x634, 
CS NARS al api i 120 
94, Eberle, A., “A Platter of Fish,’’ 13%- 
etn eV eh, ES UNMICE eda. ws ecw eee 35 
95. Wyant, A. H., “Evening,” 12x16, Scott 
(Ee eT ai 1 een ie 1,850 
96. Martin, Homer, “Great Marlow, Eng: 
land,” 12x9, Macbeth Galleries we nia 750 


= 
bo 
bid 


“Maris, W. 


7 


“In the Low Countries,” 
(Watercolor) 9144x1414, Holland Gal- 
PERM PR Lo. los Tay et Se 

Kever; > Jy. S.-H, ere Children’’ 


(Watercolor), 12%4x11%, C . W. Band 
Boudin, Henne Dunkerque Harbor in Win- 
ter,’ ” Panel, 11%4x16, Scott and Fowles 
Jacquet, ai ce “L’Eté,” 1234x954, Ber- 
TRE ian crs do's er 6 cdo o KE che eve 
Diaz, “In the Forest,” 1214x15%4, Hol- 
land Galleries 5, RET S EAN ears Cee LaES ovis ts 
ll 51 7. Boece Dea Do Rey 
Keser! ij S. H., “Interior with Figures,” 
184x15%, Holland Galleries 
Corot, “Aux Bords du Lac’’ 
16x103/, POE Es” Pearle. ods teks ele ah 
Weber, T. A., “On the Pier at Boulogne” 
(Watercolor), 10x16, R. E. Layman... 
Chase, Harry, “Tn the "English Channel, ” 
LO sao MeermMeta Notts 0b. fot eat NY 
Blashfield, Be Hi, Two Ladies’’ 1834 - 
x13, eg Henderson 
Chase, W. M., 


ee 


“Panel,” 14%4x16, Mac- 
Wel eatienee he oe ohn cad bo. 
Rehn, F. K. M., “Near Annisquam, Cape 
Ann,” 12x18, Seaman, Agt. 
Gibson, W. Hamilton, 
scape” (Watercolor), 13% x183,, J.C: 
MU MUISEE TS yok Gita sk yk Biles Cig fos, os 
Brown, W. Mason, “High Water in the 
River, fe eho, Andrew jo Bdear: 
Shurtleff, R. M., “Keene Vailey,"" 12x16, 
Wine: H. Wheelock 


“Connecticut Land- 


Coen ece ee ecenseve 


Beard: J. H., “Child. With a Cat, Aaa hee 
14 Re Hyman Gore RE ie Seer cima shales 
Blashfield, iE An Interior,” “19%. 


x14, David EL. “Baylor tay Sieee Sete oe Sg ehek 
Israels, Josef, “The New-Born,”’ Panel, 
12x18, Knoedler & Co, 
Dumini, A. 


C1S& we oles! few 26 


“The Best Friend,” 17%4- 


x13¥, reine Guglielmetti Ac ot tk ee 
De Penne, C. O., “Dogs” (Watercolor), 
20%4x15%, Bernet, Agt. 


De La Mar, David, “Sorting Wool,” 17x- 
114%, F. W. Walker 


ABO e eww ee ew Wee 4 


Fiot, | Was ets De Jeune Femme,’ 
1934x12%, C Guglielmetti........ 

Portielje, ey ice ee News,” 18%4- 
w140e Bock. Layman: 2.2.4. Sen bk 

Schafer, F., “A Lady Sewing,” Panel 
A0x14 347 eRe Elenderson—. 2225 si et. 

Kaylbach, F,. A., “Head” (Pastel), 2034- 
x17, Dirarks Frank 


P.O Cw eee ere tos es 


Black, Olive P., “Spring Landscape,” 
14x20, Seaman, ets Me Sg Poe, ook 
Boggs, "Frank M., “A Busy MHarbor,’’ 
15x22, Holland Galleries 
Gruppe, €. Bea “The Dairy,” 
file eee elias ye 
Henner, J. J., “Tete De Femme,” 18x13, 
Holland Galleries 


PIEC0) oh 6 ema eels es Them, © 


Monticelli, A., “Lady and Swan,” Panel, 
Os 5, ‘Albert Goldman LEGS) eed ae 
Van Marcke, ees 
Seaman, A (2 it Ek eager Re ea 
Monticelli, a “Fete Champetre,” 18x- 
25%, Scott Sar Bom lest Monee ciioe. 
Inness, Geor “Golden Sunset,’’ 18x24, 
Scott and glee SUES ws ois SNES 
Corot, “Jes Jeux Du Berger Et De la 
Bergére,” 2234x16%, Ralston Galleries 
Daubigny, C. F., “Landscape,” Panel, 
13%4x24, A. Retnanh ies 23 eae, fs 
Courbet, G., “At Low Tide,” 18x23%, 
Dr. Riefstahl 
De Cock, César, 
ree Patients css « i'< hy Sarees ek 
Bosboom, J., “In the Cathedral,’ 2134- 
xl6¥%4, Holland (a llepiesve ances ipo 
Du Chattel, J. V., “The Lock Bridge,” 
22x15%%, Seaman, DOV isles a kane Ca whe 
De Bock, “The White ince. ” 23Y4x17%, 
Nos Hohaetean= . . Yao eee en, 
Weiss, José, ‘The River,” 1714x300, Rehn 
Galleries hk + aA es br Abed t herr 4 naa 
Vibert, J. G., Le Mépris Du Trone,’’ 
Panel, 25%4x21%4, C. W. Kraushaar.. 


eee eer eestor ee ese sevens 


Michel, ce “Landscape,” 1914x24, L, T. 
(GALE AS Oy ait Vows RS pie ee ter at a Me Dated 
Doyen, G., “The Blue Fan,” 24x20, W. 
Ae ute it metees asite ls: eu mien. de oe 
Vion’ Max, G) GC “Waiting.” 23717, Le 
DEPOT fear A a ae | Pca Seay oa, ns ek eR 
Florian, Walter, ‘“‘Landscape, 22x18, 
Crean IOL AG tity 26 ser, cere a 2-4 ne & 
Smith, H. P., “On the Shores of Lake 


Como,” 20x28, seaman, Agi... .'.% 
Bogert, -Geo. H., “Winter Landscape in 
Moonlight,”’ 20x24, GG Comstock. . 

: E ; 


Eaton, C. Warren “Moonlight, Greetz 


e545 s 
wieh, Conn,” {8x31--Robr. Hymatt: 125 
152. Bernéde “Still Life,” 3334x26%, C. FH: & 
Guglielmetti...-++-5 B.. . ces ae ee 105 
153. Daingerfield, Elliott, “Tjandscape,”’ 20x- at 
30, John Levy ....<+: venga a eeenes P 650 
154, Smith, H. P., “Old Oaks in September,” 
20x28, Dr. F. Frank ....-++.:- opel 350 
155. Wiggins, Carleton, “A Stranger in the J 
Field,” 23x35, G. T. Parker .....--, ee 
156. Thaulow, Fritz, “The Bois in Winter,” ‘i 
20x28%, C. W. Band_..ams...-+---- 325 
157. Médard, Eugéne, “In War 21%x32, | 
W. H. Burnett ......+-+-* ase We 80 

158. Monticelli, A., “Woodland Worship,” 
1734x29%, C. W. Kraushaar ......-+- 4,100 

159.. De Bock, T., “Landscape in Sunshine 

and Shadow,” 221%4x31%4, Holland 
Galleries «see. seo > ee Fo, Sec ava 750 

160. Harpignies, H., “Landscape,” 2534x324, 
AS  Reiwbanhs oo aw okey - et te oie 2,900 | 
161. Grison, F. A., “Bridal Party Returning i 

from the Mountains,” 2534x382, Drak 
BReatiks 2 Secor eect t tm bia 475 | 
162. Verboeckhoven, E, J., ‘Landscape and 
Sheep,” Panel, 23x33%4, Clapp and } 
Coraham oac:.dcw Ses soe cen heh Os 650 | 
163. Van Marcke, E., ‘The White Cow and 
the Herd, 2234x37%4, John Levy 4,900 

164. Monticelli, A., ‘‘Ceremony in the Woods,” 
1914x314, Mrs. E. T. Huntington... 925 

165. Bougereau, W. A., “Young Mother and 
Child,” 39x29, Clapp and Graham... 3,750 

166. Van Marcke, ‘‘Landscape and Cattle,” 
2234x37%4, John Levy ...-.--.-+--s 4,200 

167. Thaulow, Fritz, “The Old Bridge,” 32%- 
x40, Knoedler & Co. ..e- essence ees 13325 

168. Knight, D. Ridgway, “By the Brimming 
River,” 46x35, Holland Galleries.... 625 

169.. De Bock, T., “Amsterdam,” 254x47%, 
Scott and Fowles ..:-..0...ss00eee: 375 

170. Sadler, W. Dendy, ‘‘Called to Account,” 
40x60, C. W. Kraushaar .........-. 250 

171. Cole, G. Vicat, “Sheep, Cattle, and Land- 
scape,” 4614x72, G. T. Parker ...... 260 

172. Smith, H. P., “The Storm,” 3644x544, 
Clapp and Graham .....---essesee 300 

173. Salmson, Hugo F., “The Return at Even- 
ing,” 39x53. Holland Galleries ...... 220 

174. Knight, D. Ridgway, “Harvesting the 
Potatoes,” 65x99, Clapp and Graham 2,300 

175. Raupp, Karl, “Happily Sailing,” 31%- 
x514%, C. J. McDonough ........... 200 

176. De Schampheleer, “In Holland,” 33x- 
5514, Wm. A, Burnett .....-..ceee- 160 
URE Wie ia og Ree ROE OR So, 5 he eM a 66,557.50 

Total first session, |. ae 
less $230 three pictures resold...... 48,610.00 


ce ee: eae $115,167.50 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING MONDAY, FEBRUARY 3rp, 1919 
AND CONTINUING UNTIL THE DATE OF SALE 
FROM 9 a.m. UNTIL 6 pe. M. 


VERY VALUABLE 


OLD AND MODERN PAINTINGS 


BY 


CELEBRATED FOREIGN AND 
AMERICAN MASTERS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


BY ORDER OF THE EXECUTORS AND TRUSTEES OF SEVERAL 
ESTATES AND A NUMBER OF PRIVATE OWNERS 


ON THE EVENINGS OF MONDAY AND TUESDAY 
FEBRUARY 10TH AND 11TH 
BEGINNING AT 8.15 O’CLOCK 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FIFTH AVENUE, 58TH TO 59TH STREET 


U nits ; 


Ning, Intend 8. bork dye. 
Gg 

thera darttew hubong 
pe vag one 
Fam'd 4 . Su ln 

An. MOPS IE Seaman 
Lan tdhet b. Mee. 

ne. Kebn/ Neres, 


nt te 


ILLUSTRATED CATALOGUE 


OF VERY VALUABLE /J G7 
OLD AND MODERN PAINTINGS 


BY 


CELEBRATED MASTERS OF THE FOREIGN 
AND AMERICAN SCHOOLS 


TO BE SOLD AT UNRESTRICTED. PUBLIC SALE 


BY DIRECTION OF THE EXECUTORS AND TRUSTEES OF SEVERAL 
ESTATES AND FOR ACCOUNT OF A NUMBER 
OF PRIVATE OWNERS 


ON THE EVENINGS HEREIN STATED 


IN THE GRAND BALLROOM 
OF THE HOTEL PLAZA 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF THE 
AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK CITY 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 


arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 


ing from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases 1s a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 


for the acts and charges of the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 


within ten days from the date of the sale thereof. 


”. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on. account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South. 


F 4 . % bas . we 
J 
* ‘- « ' > + > = ? 
ihe ; 
* A i 
Z 
~ Z 
* 
- "A 
+ 
ot ; 
¥ ° 
‘ : 
, = 
* 
7 rd 
~ 
n 
: H : ‘ ; 
} 
= 7 . x 
$ > ; 
a ‘ 


FIRST EVENING’S SALE 


MONDAY, FEBRUARY 10, 1919 


IN THE GRAND BALLROOM OF 
THE PLAZA HOTEL 


FIFTH AVENUE, FIFTY-EIGHTH TO FIFTY-NINTH STREET 


BEGINNING AT 8.15 OCLOCK 


DUTCH SCHOOL 
XVITI Century 
” 
= © 1I—PORTRAIT OF A MAN 
a 


a 
MW Nenstaolt Panel: Height, 814 inches; width, 6°4 inches 


Ha tr length to the front. In black doublet, and flat white 
collar. In his gloved left hand, which is raised, he holds 
his other glove. Neutral background. 


Formerly in the Chateau de Heeswijk. 


By order of an Executor. 


AFTER FRANS HALS 


DutcH ScHOOL 


Af O “ 9 PORTRAIT OF A BOY, LAUGHING 


( J 
\ Panel: Height, 18 inches; width, 13 inches 
Mei boge tars 


SMALL, bust-length portrait of a little boy, with mouth 
open and toothless; his body slightly to the left, the face 
in full front. Long hair, rosy cheeks. In a brown coat. 


Reminiscent of several such pictures painted by Frans Hals 
early in his career. Perhaps nearest, in spite of the blue dress, to 
that of a boy, with a mischievous smile, “listed” by Hofstede 
de Groot (No. 20), and reproduced in Bode, Plate 14. 


By order of an Executor. 


Uk. Clfene boll Vol I - K 106 4 


DUTCH SCHOOL 


AO" 3 THE SMOKER 


(}. Keimvon Height, 1234 inches; width, 934 inches 


Ix a tavern or cottage cellar a smooth-faced man of 
rugged features, in baggy small-clothes and steeple hat, 
is seated before an upturned barrel which serves as a table. 
Elbow on knee, he puffs meditatively upon a long- 
stemmed clay pipe, and a large wine pitcher stands on the 
floor beside him. A companion has left the table. 


The property of a Private Collector. 


WILLEM VAN DE VELDE 
DutcH: 1610—16938 


oe 
we 4—SHA VIEW 


x Fp 7 Canvas: Height, 12 inches; width, 18 inches 


A Busy scene, with old Dutch galleons flying the national 
tri-color flag. Small sailing vessels in the right fore- 


ground. 


Formerly in the H. Casimir-Périer Collection. Later im the 
Wyatt Collection at Oxford. 


Mentioned in Smith’s “Catalogue Raisonné,” Vol. VI, p. 364, No. 
154. 


By order of an Executor. 


4K Cnr boll Vo Tf. - REZ + 


FRANCIS WHEATLEY, R.A. 


\\e" Encutsu: 1747—1801 


5—THE FISHERMAN’S DEPARTURE 


Canvas: Height, 18 inches; length, 2244, inches 


Ture fisherman is bidding farewell on the shore, on the 
right, to his wife and three children who are accompanied 
by the dog. In the right background is their cottage. On 
the left is a sailing vessel. | 


W. Roberts, “F. Wheatley, R.A.,” 1910, p. 46, lists an 
undated engraving of the “Fisherman Going Out” by J. Barney. 
It is described as “a group of six figures, in front of a rustic 
cottage overhung with trees and by the side of the river or sea, 
a boat anchored, a boy hoisting a sail. 1714 inches x 214% 
inches.” f 76 : 


By order of an Executor. a hee We 


ENGLISH SCHOOL 
Earty XIX Century 


6—LANDSCAPE 


/ I¢- Wood: Height, 12 inches; length, 1714 inches 


Own high ground is a plough near a fallen tree; farther 
back is a shepherd with two cows. On the right, on rising 
ground, is a cottage near trees. Across the valley is seen 
a distant church tower. Windy weather. Rain-swept sky. 


Apparently painted in imitation of the manner of Constable, 
but not (as once claimed) in the neighborhood of Salisbury Plain. 
The church faintly recalls that of Dedham, and the foreground 
that of Hampstead Heath. 


The property of a Private Collector. 


ATTRIBUTED TO JUSEPE RIBERA 
SpanisH: 1588—1656 


2) re 
H 7—PORTRAIT OF A MAN 


nM. Se anna 


aus 


Canvas: Height, 15 inches; length, 1814 inches 


Bust; three quarters to the right; small mustache; long 
hair. In a brown doublet with yellow turned-back collar. 
Neutral background. 


Formerly in the collection of Henry Doetsch, and sold in 
London, June 24, 1895, No. 255, as by Ribera, when the cata- 
logue stated that “this picture has also been ascribed to Velaz- 
quez, with whose style it has much in common.” The rather 
greater knowledge that we now possess of Spanish painting en- 
ables us to dismiss the ascription to Velazquez without, however, 
making any definite attribution. 


The property of a Prwate Collector. 


Ms Tir by 


oy 


1 & 


JOHN SELL COTMAN 


bn EncuisH: 1782—1842 
s—_AT THE PIER 
Canvas: Height, 24 inches; width, 18 inches 


Fresu-caucur fish are on the seashore near two boys who 
are seated in the left foreground near a ship’s windlass. 
More to the right are other figures, a man on a white horse, 
a cart, and farther back a number of fishing vessels which 
are beached and stretch out in a row toward the headland 
in the center distance. Cloudy sky. 


The property of a Private Collector. 


ENGLISH SCHOOL 


K POI Late XVIII Century 


(/ 
aa 4 


9—PORTRAIT OF A YOUNG LADY 
Canvas: Height, 291 inches; width, 2414 inches. 


Ix a white dress with pink sash, and a cap with pink rib- 
bons, she reclines in an armchair supported by cushions. 
Seen in the foreground, her body is turned toward the 
right. A candle burns on a table on the right. 


By order of an Eaecutor. 


ATTRIBUTED TO P. P. RUBENS 


FLEMIsSH SCHOOL 


10—PORTRAIT OF A MAN 


Panel: Height, 25 inches; width, 19 inches 


Bust; slightly turned to the left. Middle-aged man, in 
black doublet and high ruff, with gray goatee and mus- 
tache. Dark background. 


By order of an E«ecutor. 


¢. Lllunrs bok Vol I K /214 + 


JAN STEEN 


o DutcH 
shal 
ben 11—THE FAMILY OF THE ARTIST 
[I 
YP VY Vi ower Panel: Height, 254% inches; width, 19 inches 


Srx small figures. he artist, in brown doublet and flat 
collar, is seated to the left of the table; a parrot perched 
near his left arm; an architectural setting and a green 
curtain behind him. In the right foreground his wife is 
seated, accompanied by three young children; one of them 
is sitting on the tiled floor and playing with the cat. At 
the top of a flight of stairs on the right a serving maid 
approaches through a glazed gallery with refreshments. 


Sedelmeyer, “Illustrated Catalogue of Paintings,” 5th Series, 
1899, No. 53. C. H. de Groot: “Smith’s Catalogue Raisonné,” 
Vol. I, 1908, No. 870, p. 288. 

Signed on the left. 
By order of an Executor. 


UWA Cline bol Vi a IFA) x 


s SCIPIO PULZONE (cattep GAETANO) 
UM ‘F pa Traian: 1550(?)—1600(?) 


12—PORTRAIT OF CARDINAL RICCI 
Canvas : Height, 2614 inches; width, 20 inches 


MippLE-AGED man with gray beard; bust length; three 
quarters to the left. In cardinal’s robes and cap. 


Inscribed on the feigned parapet: Io Riccivs Carp. 
POLITIANUS. | 


Signed, and dated, on the right: “Scipio FACIEBAT AN 
Da 1569.” 


By order of an Eaecutor. 


O 


UT, V eamaw , dof 


Wi 
f 


ae 


WM. Sea aw, 


Dog 


Pd 
fr = 


ENGLISH SCHOOL 
Late XVIII Century 


13—PORTRAIT OF A LADY 


Canvas: Height, 29 inches; width, 25 mches 


THREE quarters to the left. In a white dress, with brown 
mantle. The right arm rests against the table. 


By order of an Executor. 


SIR A. VAN DYCK 
EncusH: 1599—1641 


14—PORTRAIT OF JEROME (WESTON), 
SECOND EARL OF PORTLAND 


Canvas: Height, 25 inches; width, 2234 inches 


Bust length, turned slightly to the right, looking through 
a sculptured oval. A middle-aged man, with a short gray 
beard and mustache. Wearing a flat ruff, and the blue 
ribbon of the Order of the Garter. 


Jerome (1605-1663), styled Lord Weston from 1633 until 
he succeeded as 2nd Earl of Portland in 1635, was ‘ta man of 
abilities, various learning and genteel accomplishments; a good 
statesman, and well-skilled in naval affairs.” 

Thane: “Historical Portraits,” II, 21, reproduces a medal- 
lion-shaped engraving “from an original by Van Dyck.” 

Smith, “Catalogue Raisonné,” Vol. III, p. 165, No. 576, 
describes such a portrait as here identified, as “engraved by W. 
Hollar, 1645,” and with “the countenance denoting the Earl to 
have been fifty years of age.” In point of fact, he would not 
then be as old. 

The signature in the right bottom corner and the style of 
painting indicate the English period of Van Dyck. 


Formerly in the T. Humphry Ward Collection. © cv % 


By order of an Executor. 


bi bbenc boll Vol 1- ®F/+ 


Qh, Sfirlue 


MANNER OF AERT VAN DER NEER 


Durcu Scuoou: XVII Century 
15—LANDSCAPE: MOONLIGHT 
Panel: Height, 25 inches; width, 191% inches 


A SPORTSMAN with a gun, accompanied by a man, walks 
toward the right along the bank of a Dutch canal. Houses 
under the trees in the left middle distance. Other build- 
ings and a church in the distance to the right, on the far 
bank of the canal. 


By order of an Executor. 


Ud. Clune bole. Vol TL K/L 7 


DUTCH SCHOOL 
16—A PHEASANT 
Wood: Height, 20 inches; length, 26 inches 


A MAN in tattered attire seated at the roadside, in front 
of a cottage, with the branches of a tree spreading above 
him. The stocking of his left leg is down. He is ex- 
amining the top of his undershirt, which he holds with 
the fingers of both hands. In the right foreground is 
his basket, through the handle of which is his staff, on 
the top of which he has placed his large black hat. At 
the end of the road, beyond other cottages in the left 
background, is a church with a tall steeple. 


The property of a Private Collector. 


ee JAKOB DUCK 


: ae Dutcu: 1600—1660 


17—_THE MOUNTEBANKS 


40 


Panel: Height, 1814, inches; length, 2714 inches 


THe three mountebanks are grouped round barrels, before 
the door of a house. Men and women in the left fore- 
ground. In the right foreground people of quality stand, 
or lean, against a grind stone wheelbarrow. In the right 
background is a street, the houses having stepped gables. 
Blue sky. A composition of seventeen figures. 


Said to have been in the collections of Boucher Cleeve (No. 
78) and Thomas Cooke. 
Signed in the right bottom corner. 


By order of an Executor. 


UK bb fusca tool vol X_¥84_, 


JEROME BOSCH 
Friemiso: 1460—1518 


Fa 


Ray 18—THE LEGEND OF ST. CHRISTOPHER 


/ 


A 4 dt. We, Lim Panel: Height, 19°4 inches; width, 1814 inches 


Unper the branch-thatched penthouse reclines the giant 
Offero, with his palm-tree staff on the ground by his side. 
From the right, across the ford, approaches the Infant 
Christ, who calls to Offero (afterwards to become St. 
Christopher) to carry Him across. From among the 
many incidents in the background we discern the guardian 
of the ford, who holds his lantern for the enlightenment 
of travelers; a procession of men on horseback, and others, 

seen near houses outside the walls of a medieval city. Be- 
yond is a wide-spreading landscape, with a windmill and 
distant hills. Blue sky, with birds. 


From the collection of L. Gordon-Stables, Esq., London. 
Purchased from the F. Kleinberger Galleries Sale, 1914 Reha 
6.0, Vlatt 


The property of a Private Collector. 


q 


sh 


£ 


JAN VAN GOYEN 
. 2 Bi Doren [hobs beG 


. AM, « 
Mei [ee J 19—A DUTCH CANAL WITH FISHERMEN 


| 
Panel: Height, 14 inches; width, 17 mches 


Own the bank of a canal two rowboats containing figures 
are putting in to a landing stage. On the left the steps 
rise precipitately to the level above, where are fishermen 
near a hut, standing out against the sky. On the right is a 
wide view of the waters of the canal with sailing vessels in 
the distance. Cloudy sky. 


Signed, on the boat on the left, with the monogram, J.V.G. 


Charles T. Yerkes Collection, New York. 


From the collection of W. M. Chase, Catalogue No. 34s, 84/0 Mlenbag 


From the F. Kleinberger Galleries Sale, 1918. #X5-$ X00 v b.4 blate 
The property of a Private Collector. 


AERT VAN DER NEER 
Dutcnu: 1604—1677 


20—A LANDSCAPE BY MOONLIGHT 
Canvas: Height, 22 inches; length, 28 inches 


A SCENE on the banks of a canal which runs across the com- 
position. In the left foreground is a man on a horse on 
the canal bank; two men in a boat near by. Sailing ves- 
sels, a rowboat and a ferry with cattle are moving on the 
waters toward the town in the distance. A church and 
other buildings beyond the high bank on the right. The 


moon 1s shining. 


By order of an Executor. 


WX. Elfune toll - Vot IT - ie 


ATTRIBUTED TO JAN VAN GOYEN 
REE 2d 
Dutrcu: 1596—1666 
21_SHASCAPE 


Panel: Height, 20 inches; length, 29 inches 


A SAILING vessel, running before the wind toward the left. 
A rowboat in the left foreground, with a jetty farther 
away. Other vessels in the distance, and buildings seen 


against the sky line. Cloudy sky. 


Formerly in the Van Noppen Collection. 


By order of an Eaecutor. 


Wk. Glue Clk Vol I~ X G44 


PRENCHSESCHOOE 
XVIII Century 


22—PORTRAIT OF A MARQUISE 


f C Canvas: Height, 271% inches; width, 23 inches 
{ 


f A LADY in scanty white attire represented as Diana, her 
parva breast half-bare, a quiver slung across her shoulders, and 
- Show te a bow in her right hand. A silver crescent, red and blue 
flowers in her hair. Landscape background, with lowering 
sky. 


By order of an Executor. 


ROBERT TOURNIERES 


: } Af O- Frencn: 1668—1752 
/ 23—-PORTRAIT OF THE 
You, Vt. Necro? COMTESSE DE BOUGAINVILLE 


Canvas: Height, 29 inches; width, 234% mches 


Har length; to the front. In a green, patterned dress, 
cut low. Jewels and a blue ribbon in her hair. Her right 
hand grasps the end of her red mantle. A column and 
curtain in the right background. 


By order of an Executor. 


JEAN BAPTISTE FRANCOIS DESORIA 
Frencu: 1758—1832 


24 THE PRINCESSE DE LAMBALLE 


VAG v- lletpie- Canvas—oval: Height, 30 inches; width, 25 wches 


TuHREE-QUARTER length; three quarters to the right. In 
white, low-cut dress, with blue sash. A purplish blue rib- 
bon in her fair hair. She holds a porte-crayon in her right 
hand with which she is sketching a head on a canvas placed 
on an easel. ) 

The well-known appearance of Marie Thérése Louise de 
Savoie Carignan (1749-1792), who married the Prince de Lam- 
balle, who was “dainty, small, fascinating and always of the 
same opinion as other people,” seems hardly to fit the lady here 


represented. Yet this portrait has passed traditionally as that 
of the Princesse de Lamballe, the friend of Marie Antoinette. 


By order of an Eaecutor. 


Aoyriwn (he ENGLISH SCHOOL 


. 
lp 
| / 


Earty XIX CENTURY 


25—PORTRAIT OF A LADY 
Canvas: Height, 30 inches; width, 25 inches 
THREE-QUARTER length; turned three quarters to the 


right. In a white dress, with a green sash. A ribbon in 
her hair. Seated, the arms falling by the side. 


_ By order of an Executor. 


pag 


af 


ATTRIBUTED TO SIR THOMAS LAWRENCE 
Enceuisu: 1769—1830 


~ 96—LOUISA, DUCHESS OF ST. ALBANS 


oe Seawian, Canvas: Height, 30 inches; width, 25 inches 


Har length; three quarters to the right. In a low-cut, 
red brown dress, short sleeves; a yellow mantle over the 
left arm; a yellow band in the hair. Architectural back- 
ground to the left; landscape to the right. 


Louisa Grace (1777-1816), third daughter of Louisa, suo 
jure Countess of Dysart, married Aug. 15, 1802, as his second 
wife, Aubrey, 6th Duke of St. Albans (1765-1815). 


By order of an Executor. 


ENGLISH SCHOOL 
Late XVIII Century 


27—_LANDSCAPE 
Canvas: Height, 83014 inches; width, 2514 inches 


A MAN, seated in the front of a cart that contains sheep, 
drives toward the right along a sandy road above which, 
on the right, is a high, wooded bank. In the left fore- 
ground is a young woman, with a pail on her head, walking 
toward the carter. In the left distance are cattle, and a 
range of hills farther back. 


Painted in a style which indicates a study of the looser and 
more spontaneous manner of Gainsborough, to whom it is tra- 
ditionally attributed. 


The property of a Private Collector. 


ENGLISH SCHOOL 
UN (CEN TORS: 


283-4 WRECK OFF DOVER 
Canvas: Height, 26 inches; length, 36 inches 


VessELs are in distress on the left; figures, broken wreck- 
age and lifeboats are floating in the wind-lashed waves. 
Groups of people are assembled, but powerless, on the 
cliffs on the right. Forked lightning. 


By order of an Executor. 


FRENCH SCHOOL 
XVID? Gentury 


299—-PORTRAIT OF A PRINCESS PALATINE 
Canvas: Height, 321 inches; width, 26 inches 


THREE-QUARTER length; in full front. In a low-cut brown 
dress edged with lace, and full sleeves turned back and 
caught with jewels. Blue ribbon and jewels in her high 
dressed hair. Jer right hand clasps the edge of her fur- 
lined, blue mantle. A column and curtain in the right 
background. 


By order of an Executor. 


JEAN MARC NATTIER 


Frencu: 1685—1766 
ss 
y} b 30—PORTRAIT (supposed) 
p OF THE DUC DE MORTEMART 
Ue lbaraet, 


Sigh Canvas: Height, 32 inches; width, 26 inches 


Har length, turned three quarters to the left. Seated 
in a chair and looking to the right, he holds his helmet in 
his hands, which rest on the table in the left foreground. 
He wears a red coat, lined and trimmed with fur; an order 
on his left breast; powdered hair. 


Said to have been in the Beurnonville Collection, but un- 
identifiable in the catalogue of the sale of May, 1881. 


By order of an Executor. 


FRENCH SCHOOL 


XVII CrenruRY 
aes | 
: [, O31 PORTRAIT OF A WARRIOR 


ae h. ee 3 Canvas—oval: Height, 32 inches; width, 251, inches 


WEaARING a cuirass over his red-sleeved tunic. The body 
three quarters to the right; the face looking to the front. 
In full wig. 


By order of an Executor. 


at . 


\ ( 
A. Meret x 


ATTRIBUTED TO NICOLAS DE TROY 


Frencu Scuoot: XVII Century 
32—PORTRAIT OF A LADY 
Canvas—oval: Height, 321% inches; width, 251% mches 


THREE-QUARTER length. In low-cut, yellow brocaded robe 
with blue mantle. The hair powdered, and a pink ribbon 
in it. A column in the right background. 


By order of an Executor. 


GIULIO CAMPI 
Iratran: 1502—1572 


383—PORTRAIT OF A GENTLEMAN 
Height, 291% inches; width, 23 inches 


AGAINST a neutral background of rich green hue is painted 
the portrait of a man, appearing at less than half length, 
in black apparel. “He is bearded and is portrayed with 
figure nearly full front and face three quarters front, 
turned slightly to his left, and his gaze is directed at the 
spectator. He wears a dark cap from which feathery 
plumes droop, and his black apparel is relieved by the 
touches of red and white presented by the inner fluted 
collar of his coat. 


This picture was purchased by the owner as by Paris Bor- 
done, but since it has been in his possession and while in course 
of being cleaned it was seen by Dr. Oswald Sirén, the expert, who 
declared that in his opinion the painting was the work of Giulio 
Campi. 


The property of a Private Collector. 


a CORNELIS JANSSENS 
aw % DutrcH-Encusu: 15983—1664 


34—PORTRAIT OF A MAN 


cof x Vautes Canvas: Height, 31 inches; width, 25 inches 


Har length; turned three quarters to the right. In 
: black doublet, sleeves slashed with white. Flat lace collar 
with tassels. Small beard. Neutral background. 


By order of an Eaecutor. 


Ni Leia boll Vt IE _ K/03 


Ji. Kou 


. Vomaw 


LOUIS TOCQUE 
Frencu: 1696—1772 


35—PORTRAIT OF A LADY 
Canvas: Height, 32 inches; width, 251 inches 


THREE-QUARTER length; three quarters to the left. In a 
white dress with blue sleeves. Flowers in her powdered 
hair. Her left arm rests against a table with a parrot 
on her left wrist. In her right she holds a piece of wood. 
The parrot’s perch is in the left background. 


By order of an Executor. 


DIRK HALS 
Dutrcu: 1591—1656 


36—A MUSICAL PARTY 
Canvas: Height, 26 inches; length, 32 inches 


Six small, full-length figures. A musician, leaning 
against a table, plays the violin; behind him stands a man 
with a charcoal pan in his hands. On the right a young 
man and woman are seated on the far side of the table. 
More to the left, in the foreground, is a young gallant 
in yellow silk costume. A serving maid on the right. A 
landscape picture hangs on the wall in the center. 


By order of an Eaecutor. 


BA Whi: Goll VAT.- 79, 


«* 
' 


4 


/ 


e 


SIMON KICK 
Durcu: 1608—1652 


37 THE INTERIOR OF AN ARTIST’ S STUDIO 
Panel: Height, 3614 inches; width, 2714 mches 


Ow the left the artist stands before his easel, on which is 
the portrait that he is painting of a man who 1s seated by 
a table beneath a green curtain on the right. The latter 
‘s dressed in black with slashed sleeves and holds up a 
glass in his left hand. 


A representative, although unsigned, work. 


By order of an Executor. 


Ki Bleu boll VATE -# 108, 


> De 


‘ 


Ar. 


f 
; 2 
fs 
¥ 

- 


EUGENE JOSEPH VERBOECKHOVEN 
Beitcian: 1799—1881 


38—SHEEP AND LAMBS 
gM Height, 24 inches; length, 821% inches 


T'wo full-fleeced ewes and two lambs, in a comfortable 
stable with a window. on the left giving a view of land-— 
scape. One of the ewes is standing in the middle of the 
picture and facing the spectator; the other is lving down 
on the right of her companion, with two lambs nestling 
near her head. On her left a black hen is picking her 
way across the straw which lies on the ground and bunches 
of straw are seen piled up on the right. 


Signed at the right, and dated 1858. 


From the Matthew Addy Sale, New York, 1911 hhh her telaiye, 


Sold for account of the former purchaser. sain Sliala silat 
| £ SS: BOD F- Shulfiers 


CORNELIS JANSSENS 
Dutcu-Eneusu: 1593—1664 


39—PORTRAIT OF A LADY 
Panel: Height, 31 inches; width, 25 inches 


THREE-QUARTER length; turned three quarters to the right. 

In a black dress with slashed sleeves and white lace collar. 

Small black cap; gold chain, set with enamels, across the 

breast. Her arms by her side. Light hair. Neutral back- 
ground. — 


By order of an Executor. 
ayy 


WX Eb bin bool Vol IL 1 Hiok+ 


ENGLISH SCHOOL 
Earty XIX Century 


ye 
50 40—PORTRAIT OF A LADY 
WITH HER DAUGHTER 


Poe 
t doencitey 
Canvas: Height, 45 inches; width, 35 imches 


THREE-QUARTER length, three quarters to the left. The 
lady wears a green dress and a red headdress. Before her, 
in the left foreground, stands the little girl, who wears a 
white dress with a red sash and holds up a yellow drapery. 
A chair in the right foreground. 


By order of an Executor. 


PERIOD OF SIR THOMAS LAWRENCE 


ENGLISH 


41—PORTRAIT OF THE HON. MRS. WOLFF 


ie 
Flbaumeistor 


Canvas: Height, 824% inches; width, 27 mches 


THREE-QUARTER length; three quarters to the right. Ina 
white dress, seated in a red upholstered chair, with orna- 
ments in her hair; gold necklace and bracelet. 

It is not easy to identify the lady, of whom we here have 
the portrait. Nor is Lawrence known to have painted a portrait 
of the Hon. Mrs. Wolff. He did, of course, paint three pictures 
of Mrs. Wolff, wife of the Danish Consul; she died 1829. This 
canvas is not to be identified with that of her engraved by S. 
Cousins after Lawrence, for she there is represented in a turban. 
In the other two portraits, engraved by J. Bromley after Law- 
rence, she is seen together with her son. 


By order of an Executor. 


ATTRIBUTED TO SIR JOSHUA REYNOLDS 
42-PORTRAIT OF AN ENGLISHMAN 
Canvas: Height, 36 inches; width, 28 inches 


wt r Har length, turned three quarters to the left. In dark 
pe , yYed coat and vest. His right hand is on the head of a 


dog; a gun on the left arm. Landscape background. 


By order of an Executor. 


WK Cllrs tell Vol 1K b8-K tna Catan) 


SIR WILLIAM BEECHEY 
EncusH: 175383—1839 


48—PORTRAIT OF A YOUNG LADY 


i A 4 Be Canvas: Height, 41 inches; width, 38 inches 


ld) _— ‘THREE-QUARTER length; in full face; seated, with a spaniel 
i by her side, and wearing a low-cut, black dress with short 

sleeves, and a white pink-lined mantle across her lap. 
Coral necklace and bangles. Landscape background on 
the left; column on the right. 


By order of an Executor. 


MICHIEL JANS MIEREVELT fs 
Dutcu: 1567—1641 


44—PORTRAIT OF A WOMAN 
Panel: Height, 4414 inches; width, 33 inches 


<r 
ae 
THREE-QUARTER length; three quarters to the left. Ina 
I Seat Wack dress with white ruff, cuffs and cap. Gold girdle 
dof. knotted and falling in front, with a jewel pendant. ‘The 
right hand raised; gloves in the left. A book on the table 
in the left foreground. 


By order of an Executor. 


JAN VAN RAVESTEYN 
DutcH: 1572—1657 


45-—-PORTRAIT OF A LADY 
Panel: Height, 41 inches; width, 8014 inches 


THREE-QUARTER length, three quarters to the left. Ina 
abinrre patterned black dress with full white ruff and stomacher, 


4 ford lace cuffs and cap; pearl necklace; chain girdle. ‘The 
hands fall by the side, with a fan in the right. Neutral 
background. 


Inscribed low on the left: “Arratis 26, Ano. 1634.” 


By order of an Executor. 


4X Ebfme bot Vol 10 ~ X18 


DUTCH SCHOOL 
Circa 1597—-1607 


46—PORTRAIT OF A 
SHIGNEUR DE RIPPERDA 


Panel: Height, 4544 mches; width, 33 inches 


THREE-QUARTER length; to the front. In white doublet 
and black trunk hose. A gold chain, from which depends 
a gold medal, is across his right shoulder and falls under 
his left arm. His gloves are in his right hand, which rests 
on the table; his left on his sword belt. 


Inscribed above: AETATIS suAE 40, Ano. 1609. 


Included in the sale of the collection of H. I. A. Raedt van 
Oldenbarnevelt, of The Hague, at Amsterdam, Nov. 6, 1900, No. 
69, when it was accompanied by the companion Portrait of Aysma 
van Lauta, now catalogued under No. 47. 


By order of an Executor. 


i 


j 


at 
F (3 NW ' 


DUTCH SCHOOL 
Circa 1597—1607 


47—PORTRAIT OF AYSMA VAN LAUTA 


Panel: Height, 451% inches; width, 33 inches 


THREE-QUARTER length; to the front. In pink dress, with 
black lace over-dress trimmed with white bows, the sleeves 
lined with white. A heavy gold chain, pearl necklace, 
jewels in the hair, rings on the fingers of both hands. 


Inscribed above, on the left: AETATIS SUAE 17. ANO. 
1597. 


Included in the sale of the collection of H. I. A. Raedt van 
Oldenbarnevelt, of The Hague, at Amsterdam, Nov. 6, 1900, No. 
69, when it was accompanied by the companion Portrait of a 
Seigneur de Ripperda, of about the same date and style, now cata- 
logued under No. 46. 


By order of an Executor. 


AERT VAN GELDER 
DutcH: 1645—1727 


48--DAVID AND BATHSHEBA 
Canvas: Height, 34 inches; width, 3914, inches 


Davi, too infirm to trouble about state affairs, is in bed 
and supported by cushions; his feet to the front. In the 
left foreground Bathsheba, who has gained commanding 
influence at court, is seated. The emblems of state on the 
table in the right foreground symbolize the succession of 
her son Solomon to the throne of David. 


Signed, in uncials, im the top right corner. 
Formerly in the collection of Van den Linden van Slingeland. 
In the Burger-Thoreau Sale. 


Described by Houbraken and by Hoet. 


Exhibited at the Royal Academy, London, 1894, No. 66, when in 
the collection of Arthur Kay. 


Exhibited at The Hague, 1895-1896. 


By order of an Eaecutor. 
UX. Clana teoll Vol 7 -#FK z 
DUTCH SCHOOL 
Late XVI Cewrery 
49—PORTRAIT OF A LADY 
Wood: Height, 33 inches; width, 25 inches 


Hatr length; three quarters to the left. In a black dress, 
with flat white collar, cape and cuffs. Her curly hair in 
part confined in a headdress. Neutral background. 


The property of a Private Collector. 


ATTRIBUTED TO PIERRE MIGNARD 
Frencu: 1610—1695 


50—THE DUCHESSE DE CHEV REUSE 


& 
0. llivrPe xb Canvas: Height, 42 inches; width, 33 inches 


y) 3 6 — In low-cut, yellow dress with short blue sleeves lined with 


Ibo- 


pink. Long curly hair; pearl necklace, earrings and or- 
naments. The right arm falls by her side; the left holds a 
bouquet of flowers. 


Marie de Rohan (1600-1679) married Claude de Lorraine, 
Duc de Chevreuse, Prince de Joinville, in 1622. Her life was a 
perpetual intrigue. 


By order of an Executor. 


HENRI GASCARD 
Frencu: 16385—1701 


51—PORTRAIT OF A LADY OF THE COURT 


Canvas: Height, 481% inches; width, 38 inches 


Mer 
P (dam THREE-QUARTER length, seated three quarters to the left. 


In a low-cut brown robe, short sleeves lined with white 
silk, turned back and held in place by jewels. Pear! neck- 
lace; earrings. A curl falls on to the left shoulder. Her 
right hand resting on the parapet; the left holds a garland 
in her lap. 


By order of an Executor. 


aa 


Ye be Carnet 


JEAN BAPTISTE VAN LOO 
Frencu: 1684—1745 


52—PORTRAIT OF A LADY 
Canvas: Height, 47 inches; width, 37 inches 


THREE-QUARTER length; three quarters to the left. In 
low-cut juicy-green dress trimmed with pearls; pearl 
necklace; curly hair. Dabbling her right hand in the 
fontaine on the left; her left clasps her dress. Landscape 
background. 


The coat-of-arms with the date 1677, high up on the right, 
does not support the traditional identification as that of the 
Princesse de Carignan. 


By order of an Executor. 


CORNELIS DE VOS 


FriemisH: 1585—1651 


583—PORTRAITS OF TWO YOUNG GIRLS 


Canvas: Height, 36. inches; width, 45 inches 


Art half-length, turned inwards toward each other, kneel- 
ing before a low brick wall, with green curtains drawn 
aside to reveal the blue sky. In green brocaded dresses, 
with rufts, a blue ribbon in the hair; gold chains; the hands 


folded. 


By order of an Executor. 


SPANISH SCHOOL 
Canvas: Height, 43 inches; width, 84 inches 


54—PORTRAIT OF A LADY 


DL O ~ TureEE-QUARTER length. In fanciful attire, trimmed with 


phpr'eh 
talleries 


lace and with red ribbons. Red ribbons also in the hair. 
Hands raised and holding white and yellow flowers. Pearl 
necklace. Architectural background. 


By order of an Executor. 


ANGELO BRONZINO 


FLORENTINE: 1502—1572 


55—PORTRAIT OF ELEONORA OF 
TOLEDO AND HER SON 


} 4 O a Panel: Height, 46 mches; width, 3814 inches 


THE ample and imposing figure of Eleonora is seen at 
three-quarter length, three quarters to the left and seated 
in a chair. She wears a richly patterned black and white 
dress, pearl ornaments and earrings. ‘To the left, by 
her side, stands her little son in a dark green robe. Green 
background. 

This recalls, in practically every particular of composition, 
scale and measurement, the famous double portrait in the Uffizi 
Gallery, Florence, where it hangs in the Hall of Baroccio. 

This replica was formerly in the famous Panciatichi Palace, in 

Florence. 


By order of an Executor. 


UK. Clue bolt VAT -¥S/ 


MICHIEL JANS MIEREVELT 
Dutrcu: 1567—1641 


56—PORTRAIT OF A MAN 


Panel: Height, 481% inches; width, 35 inches 


1 In 


THREE-QUARTER length; three quarters to the right. 


: Lens Xitmuet ’ black robe, white lace collar and cuffs, and holding his 


ANA 


black hat, which leans against a table spread with a red 
cloth. Long hair, small goatee and mustache. 


By order of an Executor. 


Ak, Ellas lott Vol IL #108 « ee f 


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Salle ry 


ITALIAN SCHOOL 
XVII CentTuRY 


57—PORTRAIT OF A MAN 
Canvas: Height, 40 inches; width, 30 inches 


TuREE-QUARTER length; three quarters to the left. In 
black doublet, with embroidered white collar and cuffs. 
Short black beard. Holding a staff with his extended, 
gloved right hand; his left on the hilt of his sword. Plain 
background. 


In some respects reminiscent of the style of Moroni. 


By order of an Executor. 


FERDINAND BOL 
Durcu: 1616—1680 _ 
58—PORTRAIT OF A YOUNG MAN 
Canvas: Height, 48 inches; width, 36 inches 
THREE-QUARTER length, turned three quarters to the right. 
In black dress, with sleeves slashed in white; small collar 


with tassels. Seated on a stone seat in the open, below a 
brown-yellow curtain. 


By order of an Executor. 


UC Eliane bell VAL X79 


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SIR PETER LELY 
EnewisH: 1618—1680 


59—ANNE, COUNTESS OF 


NORTHUMBERLAND 


phe Canvas: Height, 46 inches; width, 821% inches 


THREE-QUARTER length, standing to the front. In a puce 
dress with white under-dress and ample blue mantle. 
Long fair hair. The arm resting against the parapet in 
the right foreground. Sunset sky. 


Anne, daughter of William, second Earl of Salisbury, mar- 
ried in 1630 Lord Percy, who in 1632 succeeded as Algernon, 
Eleventh, Earl of Northumberland. She died in 1637. The earl 
(1602-1668) married again in 1642. 


By order of an Executor. 
ATTRIBUTED TO SIR PETER LELY 
EnewisH: 1618—1680 


60—PORTRAIT OF NELL GWYN 


lait fen Canvas: Height, 471 inches; width, 40 inches 


Neary full-length figure, smaller than life size, seated, 
and turned three quarters to the left. In a low-cut brown 
dress, trimmed with pearls;.a blue mantle across her lap. 
A brown curtain hanging on the right; flowers in a vase 
near the base of a column in the left background. 


Eleanor (“Nell”) Gwyn, 1650-1687, actress and mistress 
of Charles II, was painted frequently by Lely, Verelst, Gas- 
car and others. At least ten engravers have engraved portraits 
of her after Lely. The National Portrait Gallery, London, pos- 
sesses a well-known example by Lely in which she is represented 
almost in full face and with a different background to that here 
seen. 


The property of a Private Collector. 


FRANCIS COTES, R.A. 
EnGcuisH: 1726—1770 


61—MISS BROUGHTON, HOLDING A MASK 
Canvas: Height, 49% inches; width, 3914 inches 


THREE-QUARTER length of a young lady, standing, di- 
rected to right, looking at spectator; white satin low dress 
with pink sleeveless cloak; fair hair with jeweled band and 
white muslin gold-edged veil, the ends falling down the 
back; large pearl earrings and necklace; left hand ex- 
tended holding a black mask; landscape seen through open 
window. 


This exceedingly attractive portrait has been described as 
representing Miss Broughton, “the actress,” but no actress by 
that name has been traced. This Miss Broughton was doubtless a 
relative of the Rev. Sir Thomas Broughton, Bart., the portrait 
of whose wife was also painted by Cotes and engraved by J. Fin- 
layson in 1772. Miss Broughton may be representing some char- 
acter in this portrait, but not as an actress. 


From the George A. Hearn Collection, New York, 1o18.-®h0, loo. 
| Ltt, au Lath | 


The property of a Private Collector. 


WILLIAM REDMORE BIGG, R.A. 
EncutsH: 1755—1828 


62—HIS FIRST PAIR 
Canvas: Height, 40 inches; length, 50 mches 


THe interior of a cottage. The grandmother, seated to 
the left of the fireplace which forms the background, is 
measuring the height of a little boy who stands on a chair. 
To the right stands the mother, who holds her boy with 
her right hand. More to the right a young girl leans 
against the back of another chair. A kettle and saucepan 
in the right background. A piece of blue material on the 
table by the window in the left background. 


The property of a Private Collector. 


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ENGLISH SCHOOL 
Earty XIX Century 


68—PORTRAIT OF A LADY 
Canvas: Height, 47 inches; width, 40 iches 


THREE-QUARTER length, turned three quarters to the right. 
In an elaborate white dress, a blue wrap over the shoul- 
ders; seated in an armchair. Red curtain to the right. 
Architectural background to the left. 


Said to have been in the collection of Mrs. Wells at Rochester, 
England. Although traditionally a portrait of the wife of 
Allan Ramsay, the painter, it cannot well be identified as such on 
the basis of the well-known portrait in the National Portrait 
Gallery of Scotland. 


By order of an Ewxecutor. 


ATTRIBUTED TO SIR PETER LELY 
EncutsH: 1618—1680 


64—-PORTRAIT OF 
QUEEN CATHARINE OF BRAGANZA 


Canvas: Height, 47 inches; width, 39 inches 


Nearzy full length, three quarters to the right, seated in 
a red-backed chair of state in full state robes; the dress is 
cut low and edged with pearls. An ermine-lined red 
mantle over her lap. A fan in her right hand; her left 
rests on the table on the right on which is the crown. A 
curtain in the left background. 


Catharine of Braganza (1638-1705) was the Queen of 
Charles Il. The attribution to William Dobson (1610-1646) is 
impossible or at least would be something of a feat in successful 
achievement. But the present ascription to Lely is purely ten- 
tative. Lely, Hysmans, Wissing and others painted Catharine. 


By order of an Executor. 


SIR PETER LELY 
Encuisu: 1618—1680 


65—THE DUCHESS OF PORTSMOUTH 
Canvas: Height, 50 inches; width, 40 inches 


THREE-QUARTER length of the famous beauty, the 
Duchess of Portsmouth. She is seated to front, wears a 
red robe garnished with pearls at the corsage; dark blue 
cloak across shoulders and on lap; her right hand is 
raised, holding small spray of flowers; to left, fountain 
basin carved with cupids; and in the center of the picture, 
a Corinthian column. 


The Duchess of Portsmouth was Louise Renée de Penancoét 
de Kérouaille (1647-1734). She was born in Brittany; she at- 
tended Henrietta, Duchess of Orleans, on a visit to her brother, 
Charles II, at Dover in 1670, and was created Duchess of Ports- 
mouth in 1673. Her son by Charles II was created Duke of Rich- 
mond. 


From the collections of the Earl of Shannon and Lord James 
Butler. Yo | 


By order of a Private Owner. 


JEAN BAPTISTE VAN LOO 
FreNcH: 1684—1745 


66—PORTRAIT OF A LADY 
Ganesh Canvas: Height, 51 inches; width, 838 inches 


THREE-QUARTER length, seated, and turned three quarters 
eae, “to the right. In richly brocaded yellow dress, and blue 
mantle. Her right hand on the arm of her chair. With 
her left she places a parchment on the table in the right 
foreground. Architectural setting with red curtain. 


By order of an Executor. 


ALONSO SANCHEZ COELLO 
! SpanisH: 1531?—1588 


\ 67--PORTRAIT OF A SPANISH LADY 


Nay 4 Voie Canvas: Height, 51 inches; width, 4114 mches 


ry o@ NEARLY full length seen to the front and seated. In a 
i Lo. = white dress, with ample red over-dress, ruff and pearl- 
f earrings; a lace-edged handkerchief in the left hand. A 


book on the table to the right. 3 


By order of an Executor. 


\ 


SIR JOSHUA REYNOLDS 
EneutsH: 1723—1792 


68—PORTRAIT OF ANTHONY CHAMIER 


hei x Ja Amnweni Canvas: Height, 50 inches; width, 40 inches 
© “ Nmwarry full length, turned three quarters to the left. 


Seated, and dressed in dark red knee-breeches, white stock- 
ings, lace cravat and cuffs. Clean-shaven and wearing a 
wig. He holds a book in his right hand, which leans 
against a table. His left is half hidden in his waistcoat. 


This portrait of Anthony Chamier, M.P. for Tamworth, and 
F.R.S., was painted by Reynolds in 1767. It was engraved by W. 
Ward, exhibited at the Grosvenor Gallery, 1883-84, No. fr, and 
included in the sale of the James Price Collection at Christie’s, 
June 15, 1895, No. 89.~ N50 ~ Guimens i 

Anthony Chamier, Under-Secretary of State in 1766, and 
Member of Parliament, was one of the original members of the 
Literary Club. He was for many years a friend of Sir Joshua 


Reynolds. He died in 1780. 


By order of an Executor. 


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SIR WILLIAM BEECHEY 
EncusH: 175383—1839 


69--PORTRAIT OF QUEEN CHARLOTTE 


Canvas: Height, 56 inches; width, 47 inches 


THREE-QUARTER length, three quarters to the right. In a 
white dress, yellow mantle and black lace scarf. Pear! 
necklace and enamel bracelet. Her right hand superposed 
on her left, in which she holds a dog. Landscape back- 
ground. 


Apparently widened at some time. 

“According to the writer of the obituary notice of Beechey 
in the Gentleman’s Magazine (April, 1839, p. 483) ‘in the year 
1793 Beechey painted a whole-length portrait of Queen Charlotte, 
who honoured him by the appointment of Her Majesty’s Por- 
trait Painter.’ This portrait was not exhibited until 1797, and 
‘notwithstanding its disfigurement by the frightful costume of 
the time . . . is a remarkably fine work of art.’ This portrait 
does not appear to be in the Royal Collection . . . It would 
seem to have lain on Beechey’s hands, for at his sale at Christie’s 
rooms on June 11, 1836, when it was described as ‘the original 
engraved picture,’ it was bought in at 60 guineas and at the 
Beechey sale at Rainy’s, on July 19, 1839, the same portrait 
was ‘passed.’ The background of the portrait was formed by a 
view of the gardens at Frogmore. This portrait of the Queen 
is probably a version of the picture in question . . . It must 
have been a good portrait, for it met with the approval of An- 
thony Pasquin.”—W. Roberts: “Sir William Beechey,” 1907. 


By order of an Executor. 


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SIR HENRY RAEBURN | 


ScottisH: 1756—1823 


70—PORTRAIT OF A MAN 


Canvas: Height, 50 inches; width, 40 mches 


Nearzy full length; three quarters to the right; middle- 
aged. Seated in a red upholstered chair. Wearing black 
eoat and trousers, white cravat, and a fob with blue rib- 
bon. In his right hand he holds a letter, the seal of which 
is broken. His left arm rests against the table on the 
right, which is covered with a green cloth and has books 
and papers on it. A red curtain in the background. A 
peep of landscape dimly seen through the window on the 
right. 

In general pose and setting, this portrait recalls that of 


Prof. John Playfair, by Raeburn, in the collection of the Mar- 
quess of Lansdowne. 


Property of a Prwate Collector. 


SIR A. VAN DYCK 


. Fremisuo: 1599—1641 

' 

. 71—PORTRAIT OF LUCY, 

\“ COUNTESS OF CARLISLE 


”) Tie le Ae 
h- ba Wot X GO 
Canvas: Height, 514% inches; width, 40 inches 
a Ow the back is the description taken from Smith’s “Cata- 
logue Raisonné,” Vol. ii, No. 654, where it is said that 
the lady is “about 30, and has auburn hair adorned with 
flowers. In a silk robe of orange colour, hanging sleeves 
lined with white silk; the left hand raising the skirt. ‘The 
right hand under the cool stream of a fountain . . . This 
has been stated to be the lost Egremont picture.” (This 
quotation has, however, not been verified. ) 


Lucy, second daughter of Henry, ninth Earl of Northum- 
berland, married, Nov. 6, 1617, James, afterward Viscount Don- 
caster and Earl of Carlisle. Turning her attention to politics, she 
despised the society of her own sex, studied systems of govern- 
ment and intrigued in matters of state. Sir Philip Warwick, in 
his “Memoirs,” accuses her, the friend and alleged confidant of 
Strafford, of having given notice to Pym of the King’s coming 
to the House of Commons to demand the five members, in order 
that they might have time to absent themselves. She was “‘solem- 
nized in the poems of the most exquisite wits of the time.” She 
died November, 1660, having survived her husband twenty-four 
years. 

This composition recalls that reproduced in Lodge’s “Por- 
traits,” VII, 12, as engraved by H. T. Ryall from the picture in 
the collection of the Earl of Egremont at Petworth. 


By order of an Executor. 


PERIOD OF SIR THOMAS LAWRENCE 
Encutsu: 1769—1830 


ft ORLRAIT OF A LADY 


Canvas: Height, 50 inches; width, 40 inches 


4 
: 4 ee ee three-quarter length portrait of a lady seated 


toward the front; her head to the right. In a low-cut dark 
green dress; necklace and bracelets. The right arm rests 
on a red cloak, which is placed on the right arm of the 
chair. ‘The base of a column in the left background; a 
peep of landscape on the right. 


By order of an Executor. 


ShosPH TER GL hey 
EncuisH: 1618—1680 


73—THE COUNTESS OF ROCHESTER 


Z. Deller Canvas: Height, 50 inches; width, 40 inches 


THREE-QUARTER length; to the front. In loose blue dress, 
her right hand on her red mantle placed on the table in 
the left foreground. Her left to her breast. Flowering 
plants in the right foreground. Red curtain hanging in 
the left background. 


At Hampton Court is a portrait by Lely of Henrietta Boyle, 
Countess of Rochester, plucking a rose with her right hand and 
her left elbow on a pedestal. She married Laurence Hyde in 1663 
and died 1687. 

A portrait of Anne, Countess of Rochester, 1614-1696, by 
Lely is in the collection of Lord Dillon at Ditchley. 


By order of an Executor. 


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MURILLO 
SpanisH: 1618—1682 


74—SAN FERNANDO 
Canvas: Height, 67 imches; width, 45 inches 


Tur King-Saint, wearing his robes of office, with the 
sword in his right hand and the orb in his left, is seen 
within a framed medallion which is held up by four putti; 
one of them bears the scroll inscribed: “Vera Divi Fer- 
dinandi III Effigies, Maurorum Exterminatio Restitutor 
Hispan. Orbis.” ‘Three other putti, above the medallion, 
remove the red curtain to reveal the portrait. 


Fernando III or Ferdinand III (1200-1252), King of Cas- 
tile and Leon, brought about the final union of those kingdoms 
in 1280. He was beatified four centuries later. As resisting the 
power of the Moors Fernando III, El Santo, 1s less known to-day 
than Ferdinand V of Aragon (1452-1516), El Catolico, who 
married Isabella of Castile and, with all the fervor of a crusade, 
undertook the conquest of Granada, the last Moorish Kingdom in 
Spain. 

Murillo painted, for the eight circles of the dome of the 
Chapter House at Seville, portraits of the canonized Archbishops 
of the diocese, Pio, Laureano, Leandro and Isidoro; the Royal 
Saints, Hermangildo and Fernando; and the Virgin Saints, Justa 
and Rufina. 

Pictures of San Fernando by Murillo are (1) in the Chapter 
Room in the Cathedral at Seville, in (11) the Counting Room 
there, in (111) the Biblioteca Columbiana, Seville, and (1v) in the 
Museo del Prado. They are, however, all different in composition 
and scale from the present imposing canvas. Curtis (“Murillo,” 
No. 283) describes another picture of San Fernando with five 
cherubs and a scroll inscribed “Magna FErpINANDI . . .” 

This would seem to be the picture (Curtis, No. 284) formerly 
in the possession of the Heirs of the Infant Don Sebastian, at 
Pau, No. 580. Curtis states that it was inscribed “Vera Divi 

[ Continued 


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[ No. 74—Continued | 
Ferdinandi II” and that “beneath are four cherubs holding 
aside the drapery.” He probably inaccurately transcribed the 
numeral of the king and curtailed the inscription on our pic- 
ture in which, moreover, the cherubs below hold up the medal- 
hon of the king while those above hold aside the drapery. This 
is probably the picture mentioned by O’Shea: “Handbook,” 
S801, thus: “it is the model from which the effigy was carved by 
Sefior Piquer, which is seen in the Armeria at Madrid, No. 1785, 
and is borne in procession to the palace chapel on the anniversary 
of the Capture of Seville, May 29.” 

Mentioned by Calvert: “Murillo,” p. 178, as at Pau. 

Illustrated in the Klassiker der Kunst volume on “Murillo,” 
1913. 

Painted in 1671, and so a work of the artist’s mature period. 

The stenciled monogram “S. G.,” crowned, on the back of 
the canvas, bears out the pedigree given above. 


By order of an Executor. 


Uk. Clin beoll VTE - K og, 


PIERRE PRUD’HON 
Frencu: 1758—1823 
75—CUPID AND PSYCHE 
Canvas: Height, 60 inches; width, 411% inches 
Four full-length figures, smaller than life size, moving 
toward the left. A putto pulls at the scanty blue robe of 
Psyche. Cupid clasps Psyche round the shoulders. A 
mourning, classically draped woman follows them. Land- 


scape setting; flowers strewn on the ground. 


By order of an Executor. 


FLEMISH SCHOOL 


XVIII Century 


76—PORTRAIT OF A LADY 


Canvas: Height, 511% mches; width, 40 inches 
/ Sf © — Atapy ina black dress with white sleeves, seated and seen 
at three-quarter length, low-cut. dress, with high, turned 


2 A Mwueh back collar. Black hat with blue ribbon and feather. A 
feather in the left hand. 


Apparently based on a study of the work of Rubens. 


By order of an Eaecutor. 


GAINSBOROUGH DUPONT 


EncuisH: 1767—1797 


77—PORTRAIT OF A LORD MAYOR 
OF LONDON 


Canvas: Height, 51 inches; wulth, 40 inches 


 'TrrEE-@UARTER length, three quarters to the left. om 


ZL es middle-aged man, with blue eyes, in full-bottomed wig. 
Plum-colored dress, ample cloak and chain of office. Lean- 
in th ing his right hand on a table. Architectural background to 


the left; a curtain on the right. 


In 1798 Gainsborough Dupont exhibited at the Royal Acad- 
emy (No. 122) a portrait of Sir James Sanderson, the Lord 
Mayor of London. 


By order of an Eaecutor. 


” “ 
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Yn Re Aww 


EUGENE ANTOINE GUILLON 
Frencu: 18384— 


78—CUPID DISARMED 
Canvas: Height, 68 inches; width, 483 inches 


VENUS in scanty white robe, and a blue drapery across 
her knees, is seated and seen at full length beneath a tree. 
In her raised arms she holds the bow and arrow of Cupid, 
who is before her. The quiver is on a drapery on the 
ground on the right. 


Signed, and dated 1895(?), in the left bottom corner. 


Presumably the picture exhibited at the Salon, Paris, 1895, 
No. 898, under the title of “L’ Amour désarmé.” 


The property of a Private Collector. 


SIR WILLIAM BEECHEY 
Eneuisy: 1'758—1839 


79—PORTRAIT OF AN ENGLISH NOBLEMAN 
Canvas: Height, 66 inches; width, 52 inches 
Lire-s1ZE, standing portrait of a middle-aged man, turned 
three quarters to the left. In peer’s robes; part of mantle 
touching the green upholstered chair in the right fore- 


ground. A brown curtain hangs in the right background. 


The property of a Private Collector. 


EUGENE JOSEPH VERBOECKHOVEN 
Fremisu: 1799—1881 


| 80—LANDSCAPE, 
laff fs he hae” WITH CATTLE AND GOATS 


as a Canvas: Height, 61 inches; length, 721% inches 
uf } Lio 


A BULL standing in a wide-spreading landscape near two 
cows; sheep le on the ground; two goats are by a log 
of wood near a tall tree in the left foreground. Moun- 
tains in the distance; a castle dimly seen on the right. 


Signed and dated 1828, and so a very early and unmannered 
work. 


The property of a Private Collector. 


{ { 


SIR A. VAN DYCK 
EncusH: 1599—1641 


ayers 
81—PORTRAIT OF ISABELLA, 
LADY DE LA WARR 


Canvas: Height, 85 inches; width, 53 inches 


FuLL-LENGTH, life size, three quarters to the left. Ina 
white dress, with Wan Dyck collar, jeweled ornaments, 
pearl necklace and earrings. Her right hand is extended, 
and points to a dog which jumps up against a stone vase. 
Architectural setting to the right, with a red curtain. 


Inscribed on a cartel in the left foreground: “Isabela 
Lady De La warr Daughter of Sr. Tho. Ed- 
monds. Knt. Treasurer of ye. Houshold to King 
Charles ye first.” 


Lent by Earl De La Warr to the British Institution, 1844, 
No. 88; and 1857, No. 5; also to the National Portrait Exhibi- 
tion,|1868, No. 705, and to the Van Dyck Exhibition, held at the 
Grosvenor Gallery, 1887, No. 131. 

Isabella, eldest daughter of Sir Thomas Edmunds, was born 
1607; she died 1679. She married Henry, fourth Earl De La 
Warr (1603-1628). She would thus be painted by Van Dyck 


when a widow. 


Bought from the De La Warr family, fa AM anni, S IMR , 


By order of an Executor. 
UA Clbure tool. Vol ~KG0 « 


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VGA O/mwaas 
Pi ee 


SECOND EVENING’S SALE 


TUESDAY, FEBRUARY 11, 1919 
IN THE GRAND BALLROOM OF 
THE PLAZA HOTEL 


FirtH AVENUE, FIFTY-EIGHTH TO FIFTY-NINTH STREET 


BEGINNING AT 8.15 O’CLOCK 


JOHN LEON MORAN > 
AMERICAN: 1864-— 7 ‘Le 


82-THE MIRROR 
(Water Color) 


Height, 91/, inches; width, 5 inches 


A FULL-LENGTH figure of a young woman with pink gown 
and a light green silk shawl, placing a bunch of flowers 
in a vase, which stands before a tall mirror. The face is 
reflected in the glass. 


Signed at the lower right: Lton Moran, 93. 


Property of Mrs. Frepericx 8. Coorimee. 


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C5 axe poh. 


eh IK WILLIAM HART, N.A. 
#), ) /\ AMERICAN: 1823-—1894 
Ni 
l) 83—COWS AT THE BROOK 
4) | 


Height, 9 inches; width, 71% inches 


ON the right tall trees brown in autumn, rising above the 
picture, beside a gray stone ledge at the border of a broad 
brook. In the stream two cows, one drinking, and in the 
background above a bit of glistening rapids others of the 
herd. ‘To left the green border of a wood. 


Signed at the lower left: Wm. Hart, 1877. 


Property of a Private Collector. 


HENRI DUVIEUX 


FrReNcH: CENTEMPORARY 


% ¢ 841—SUNSET 


Height, 51% mches; length, 10 inches 
Ee of. Wh hiv [oM/ 


In ‘aire foreground, a river; a group of trees and a figure 
on the banks, at the rant and an evening sky of gray 
with accents of yellow and orange. 


Signed at the lower right: D. 


T'o be sold by the order of a Trustee. 


See 


Se a eS le 


A. KNOOP 


CoNTEMPORARY 
Le 
4. Spohr 


85—THE CONNOISSEURS 
Panel: Height, 12 inches; width, 10 inches 


A party of four gentlemen, two seated and two standing, 
wearing costumes of blue, pink, purple and olive green, 
discussing the merits of a small silver figurine, which one 
of them holds up in his hand. 


Signed at the lower left: A. Knoor, Mtncuen, 1894. 


Property of the Estate of the late Cece ia Bore. 


EUGENE JOSEPH VERBOECKHOVEN G @ 
Betcran: 1799—1881 Wt Yc bawan, 


ny haf. 
86—CATTLE STUDY at 
Drawing: Height, 8 inches; length, 111% inches 


A DRAWING in charcoal and white chalk, in which a young 
bull is depicted facing the spectator and headed toward 
the right, standing at the side of another bovine lying 
down at lazy ease at his feet. Both animals carefully 
studied. 


Signed at the lower right: EvcENE VERBOECKHOVEN, 776. 


Property of the Estate of the late Henry Grarron Durany. 


A. SCHRODER 
GERMAN: 1854— 


, 
lp O_ 81—A CAVALIER 
ie (Panel) 


(br eu Height, 914 inches; length, 124% mches 
Daf « 

/ THREE-QUARTER-LENGTH figure of a soldier, with scarlet 

tunic, lace collar and green breeches, seated beside a table 


with a tall wineglass in his right hand. 
Signed at the wpper right: A. Scuroper, Mv. 


Property of the Estate of the late Cecr1ia Bore. 


HUGUES MERLE 

SY Frencu: 1823—1881 

2 hy 88—ABRAHAM AND ISAAC 
(Water Color) 


~ 
pe Radony f° ae 
/ Height, 41% inches; width, 3°4 imches 


SEATED on a divan, the patriarchal figure of Abraham 
is appareled in rich robes; he leans with chin on one hand, 
looking down earnestly at the kneeling infant figure of 
Isaac. The mother, kneeling behind the boy, clasps her 
hands lovingly about his neck, and bows her head over 
him, in pleading resignation. 


Signed at the right, on the pillar: H. Merwe. 


Property of the Estate of the late Henry Grarron Duxany. 


ADOLPHE MONTICELLI 
Frencu: 1824—1886 Pars ke 8. 
ca 


89 DEUX FEMMES 
Height, 54g mches; width, 43 inches 


In a quiet and retired spot just within the edge of a wood 
are two young women seated side by side, one with black 
hair, facing the left and seen in profile, her companion on 
her right regarding her and facing the spectator, her dark 
hair brightened by a garland. Beyond the leafy arch 
above their heads, a sky of white clouds intensifying to- 
ward the horizon. 

Signed at the lower left: MontTIcELu. 


Purchased from Daniel Cottier, the founder of Cottier & Co. 
Property of Mrs. C. L. ATTERBURY. 


es a 
f 


yw 


a le 
C. SCHLEICH | 


GERMAN: CONTEMPORARY 


los 


| a Uy AY a 
90—EXPOUNDING THE TALMUD (Ore! Hy 
Panel: Height, 10 inches; length, 12 inches 


A crov? of five elderly Jews sitting around a table, while 
one of them comments on a text in the open volume before 
him; in another room, beyond, an old woman poring over a 
book. 


Signed at the lower right: C. SCHLEICHER. 


Property of the Estate of the late Cece is Bore. 


me RALPH ALBERT BLAKELOCK, N.A. 
ay 2 ~ AMERICAN: 1847— 


$v i 
bh. 0 91—AUTUMN LANDSCAPE 
Height, 8 inches; width, 54 inches 


Ar left and right, trees whose thick foliage only attracts 
the eye, their trunks all but indistinguishable in the 
shadow, which falls also upon the foreground. Overhead, 
the extending branches form a leafy arch whose top is 
above the picture limit, and through the archway the eye 
travels over a wild, rough country of the West, dressed 
in golden autumn colors of deep, rich note, to a colorful 
sky. 

Signed at the lower right: R. A. Buaxenock. 


* Owner, Davin H. Taytor, Esa. 


ROGELIO DE EGUISQUIZA 


SPANISH: CONTEMPORARY 


6 92—THE VISITOR 
4 Pa | Panel: Height, 1314 inches; width, 934 inches 


Krtt byw ~~ KULL-LENGTH figure of a lady, standing, in profile to left, 

d wearing a black gown and a yellow bonnet. Having 
entered a reception room, she is leaning over a table as 
she looks at a photograph album. 


Signed at the lower right: R. Eautsauiza. 


Property of the Estate of the late Cecrita Bora. 


ADOLPHE MONTICELLI A 


ee 


Lh. Kecuvanw 


Frencu: 1824—1886 
93—FIGURE GROUP 
Height, 914 inches; width, 684 inches 


A PLUMP young woman in emerald and gold, with reddish- 
golden hair, faces the spectator, a youthful companion at 
her elbow, both standing at the side of an older woman 
seated in a high-backed chair, who is seen before them and 
facing the right. A long-tailed dog looks up at them 
from the foreground, jealous of a pet comrade taken 
upon the elder woman’s lap. 


Signed at the lower right: MonvicEeE.ui. 


Purchased from Daniel Cottier, the founder of Cottier & Co. 


Property of Mrs. C. L. ArTrERBURY. 


ADOLF EBERLE pre 
German: 1843—1914 a9 3 , 
ee —f 
94—4 PLATTER OF FISH Woy. te Veen 
Height, 131% inches; width, 101% inches 


THREE-QUARTER-LENGTH figure of a buxom, smiling 
young serving maid, carrying a pewter dish with several 
fish and green trimmings on it, held with both hands and a 
napkin. 


Signed at the lower left: Avot¥ Exsrerie, MUncuHen. 


Property of the Estate of the late Cecr1ia Bore. 


ALEXANDER H. WYANT, N.A. 
AMERICAN: 1836—1892 


Is_-EV ENING 
NY, 


SS’ Height, 12 inches; length, 16 inches 


raf 
of 


‘ee Hirips, a pool in the middle foreground, and trees with 


branches and foliage in relief against a sunset sky of 
warm-tempered pink and gray, are the elements compos- 
ing this landscape of restful aspect. 


Signed at the lower left: A. H. Wyant. 


“Purchased from William Macbeth, New York. 


Property of Mrs. CLarENcE W. SEAMANS. 


= 


: HOMER D. MARTIN, Mf 
et American: 1836—1897 y £0 


96--GREAT MARLOW, ENGLAND 


Height, 12 inches; width, 9 inches 


In the middle distance, on the shore of a river which occu- 
pies the foreground, stands, amid a group of trees, a high 
gabled country house; at the edge of the water, a lady 
feeding a swan; evening sky of pink clouds and rifts of 


blue. 
Signed at the lower left: H. D. Martin, 1879. 
Purchased from William Macbeth, New York. 


Property of Mrs. Crarence W. SEAMANS. 


JEAN GUSTAVE JACQUET LP g 


Frencu: 1846—1909 


ee 
97—PASTORAL $7. Mant 


(Water Color) 
Height, 934 inches; length, 13 inches 


A very cleverly painted group of two figures, a young 
man and a young woman, in the picturesque costumes of 
the Louis Quinze period, sitting on a green bank, at the 


foot of a tree. 
Signed at the lower left: G. Jacavet. 


Purchased from Tedesco Freres, Paris. 


Property of Mrs. FRrepERick S. CooipGE. 


ADOLPHE MONTICELLI 


} () FrencH: 1824—1886 
~~ 9—TRAVELERS AT THE WELL 
4, / i Height, 924 inches; length, 15 inches 


At a well designated by a conspicuous monumental struc- 
ture, in an arid plain and under a sky aglow with atmos- 
pheric warmth, men and beasts are gathered for refreshing 
drink. Back to the spectator, a man on horseback, with 
crimson breeches, white shirt and yellow hat, is taking a 
long draught, with head thrown back, and companions 
are seen at his left. On his right are horses without 
harness, and a sturdy bovine with wide-spreading horns. 


Signed at the lower right: MonricE.1. 


Purchased from Daniel Cottier, the founder of Cottier & Co. 
Property of Mrs. C. L. Arrersury. 


THEOPHILE DE BOCK 
Dutcu: 1850—1904 


99—LOW TIDE ee 


(Water Color) 1S 
Height, 151% inches; width, 1314 inches 
f 


THE 1 AitikooMeDerch or Belgian harbor, breaking away 
i a to the épen sea, under a blue sky billowing with white 
| } } \andrayish clouds. Along the left, from foreground to 
distance, a strip of low sandy shore bordering green grass, 
. and lined up at its edge many working boats at anchor, 

some with sails up. 
Signed at the lower left: Tu. pe Bock. 


Purchased from Daniel Cottier, the founder of Cottier & Co. 
Property of Mrs. C. L. AtrEersury. 


WILLEM MARIS “a 
Dutrcn: 1844—1910 baa x 


100—IN THE LOW COUNTRIES © Yrlland 
(Water Color) Pes 


¥ 


Height, 91/4, inches; length, 14% inches 


Crossinc the landscape in the middle distance, a canal 
lighted by reflections of white clouds and a grayish sky 
flows lazily between broad flat banks of soft grayish-green; 
at right, a sailboat hauled out, and near it two figures. 
In the foreground, a peasant come to haul brushwood, 
standing before his two patient donkeys with their pack- 


saddles. 
Signed at the lower right: W. Manis, Frc. 1864. 


Purchased from Daniel Cottier, the founder of Cottier & Co. 


Property of Mrs. C. L. ArTERBURY. 


JOHAN SIMON HENDRIK KEVER 
DutcH: 1854-— 


101—DUTCH CHILDREN 
Water Color: Height, 1214 inches; width, 114% inches 


Two little Dutch peasant girls, sitting together and look- 
ing at a colored picture one of them is holding on her 
knees. 

Signed at the lower right: Kever. 


Property of Mrs. Freperick S. Cooxince. 


| 
: 
: 
| 


EUGENE BOUDIN : 29 0 
an 
FRENCH ScHOOoOL: 1825—1898 


102-—DUNKERQUE HARBOR IN WINTER 
(Panel) 


Height, 1114 inches; length, 16 inches 


SAILING vessels and rowboats are on the waters that lead 
up to the harbor in the background. A high column on 
the snow-covered bank on the right. The sun in the cloudy 
sky. 

Signed to the right: Boupixn, DuNKERQUE. 


By order of an Executor. 


Uke G llens holt VT — kon, 


1, O 
JEAN GUSTAVE JACQUET / VU = 


Reecant 1846-1900 fae 


108-—L’ETE Dok 
Height, 1234 inches; width, 9° inches 


Bust portrait of a blue-eyed beauty who has reached a 
young, full and fair maturity, a sprig of ripened wheat 
decorating her golden-blond hair. Head lightly poised 
over her right shoulder, her face is seen a little more than 
in profile, to the left, and she wears a richly embroidered 
décolleté gown, with a golden-yellow wrap thrown over 
one shoulder. 


Signed at the lower right: G. Jacaver; signature 
also on back, with date 1889, and title. 


From the collection of the late THroporeE C. Nok. 


, 


é é 
f f / 
Yerllow d dhe 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 
104A—IN THE FOREST 
Height, 121% inches; length, 151% inches 
A RAVINE, deep in a forest, with great gray bowlders, and 
trees on the hillsides, in the upper part of the picture, 
screening an evening sky of golden pink. 
Signed at the lower left: N. Dtaz, °48. 


To be sold by the order of a Trustee. 


ey 


HENRI HARPIGNIES Zod 


Frencu: 1819—1916 oe ee 
105—LANDSCAPE AT Ofer 
VILLE FRANCHE-SUR-MER ae 


Height, 1114 inches; length, 17 inches 


As stated in an inscription on the back of the stretcher this 
landscape depicts a subject in one of the favorite painting 
grounds of the celebrated French artist. A large olive 
tree stands in the foreground amid the grass and gray 
bowlders of the shore, an arm of the sea appears in the 
middle distance, and beyond are blue hills and a sky of 
pale warm tint so frequently seen in the south of France. 


Signed at the lower left: Harvicnies. 


Inscription on back of stretcher: “Vue prise a Villefranche 
sur mer, par H. Harpignies, janvier, ’85.” 


2b¥ 
To be sold by the order of a Trustee. F ft 
f if V agit 
c~ : = yt 
As Lbs ; “ 
Pru \o 


7S) O s JOHAN SIMON HENDRIK KEVER 


i 
<a) 3 ae 
ot, tae DurcH: 1854— 
Hind afltrn vs 


106-—INTERIOR WITH FIGURES 
Height, 1814 mches; width, 1514 inches 


In a cottage room a Dutch housewife of the peasantry, 
in clothes of dull colors and a white cap, is seated facing 
the spectator, with head turned to look at a child playing 
with a toy horse, at her left. The room has a dim light, 
admitted from a sunshiny room back of it, beyond which 
still another room is glimpsed through an open door. 


Signed at the lower left: KevER. 


From the collection of the late Turoporre C. Nok. 


= 


WrLtoli 


() 0 


J KAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


107—AUX BORDS DU LAC 
Height, 16 inches; width, 10°84 inches 


AN idyllic landscape with a foreground of gentle slopes, 
a group of trees on the right, a single tree on the left, and 
figures of two peasant women, one standing in a pathway, 
the other seated on the grass. A lake lies just beyond, with 
buildings and a hill on the farther shore. The sky is com- 
posed of gray and white clouds, with a bit of blue near the 
top of the canvas. 

Signed at the lower right: Corot. 


Purchased from Tedesco Fréres, Paris. thor. Lathe 


Property of Mrs. Freperick S$. Cooxipce. 


THEODOR ALEXANDER WEBER © 


GERMAN: 1838— i 
108--ON THE PIER AT BOULOGNE | 
(Water Color) 
Height, 10 inches; length, 16 inches 
A prer, at the right, curving out into the sea, with some 
fisherwomen on it; in left center, a fishing boat with brown 
sail; other vessels farther out; gray sky. 
Signed at the lower left: Tu. WeBER. 
Property of Mrs. Freperick 8. Cooxipce. 
HARRY CHASE, A.N.A. 
AMERICAN: 18538—1899 r 
109—IN THE ENGLISH CHANNEL 2& g, 


Height, 10 inches; length, 16 inches 


A COLORFUL marine with fishermen in a boat, in the fore- 
ground, hauling in their nets; sailing vessels and a steamer 
in the distance, and a sky of clouds and bright blue. 


Signed at the lower right: H. Cuase. 
Purchased from William Macbeth, New York. 


Property of Mrs. Cuarence W. SEAMANs. 


= 


re 


“ Ye (erncef 
I) ’ 
vA 

¢ /} de 


50 


EDWIN HOWLAND BLASHFIELD 


AMERICAN: 1848-— 


110—TWO LADIES 
Canvas: Height, 1814 inches: width, 181 inches 


Two ladies in the fashionable dress of a past era are 
seen in a drawing room. On the right, the elder is dressed 
in yellow and seated near a palm, while looking at herself 
in a hand mirror. On the left and further back, a young 
lady, in a white dress, leans against the back of a chair. 
One of her gloves is on the floor near a stool on which is a 
vase. 

Signed at lower right: E. H. Buasnrierp, Paris. 


Property of a Private Collector. 


s 
AS 


\nX7 WILLIAM MERRITT CHASE, N.A. 
AMERICAN: 1849—1916 


111—AFTERNOON SHADOWS 
(Panel) 
Height, 141% inches; length, 16 inches 


A sanpy road leads from the right foreground, through 
green fields, to level country in the distance, where there 
are some red-roofed buildings. Long shadows cast by 
the afternoon sun cross the fields on the left, and overhead 
is a bright blue sky with some white clouds. 


Signed at the lower left: Wm. M. Cuase. 


Property of Mrs. Freprrick S. Cooper. 


FRANK KNOX MORTON REHN, N.A. 


aoe 
2, GY 
AMERICAN: 1848—1914 1 


ae 7- Jeau Gs 


112—-NEAR ANNISQUAM, CAPE ANN Oe 


Height, 12 inches; length, 18 inches 


A CHARACTERISTIC piece of landscape painting by an artist 
widely known by his pictures of the sea, but who fre- 
quently depicted the fields and hills. A stream passes 
through foreground meadows, trees appear on the banks 
at right, and over all is a sky of gray. 


Signed at the lower left: F. K. M. Renny. 


Purchased from William Macbeth, New York. 


Property of Mrs. CLareNce W. SEAMANS. 


WILLIAM HAMILTON GIBSON 2OC _ 


AMERICAN: 1850— 


113—CONNECTICUT LANDSCAPE i 6. Willevev 
(Water Color) 


Height, 1334 inches; length, 18°4 imches 


AN autumn landscape depicting a Connecticut valley, 
with a small stream, some farmhouses and stretches of 
woods on the hillsides; gray sky. 


Signed at the lower left: W. Hamitron Gipson, 1892. 


_ Property of Mrs. Freprerick S. Cooriner. 


WILLIAM MASON BROWN 


AMERICAN: CONTEMPORARY 


}/ b 114--HIGH WATER IN THE RIVER 
6 
Height, 12 inches; length, 18 inches 

Mga’ 
A river, bank full, winds from the foreground past a 
large bowlder and two large trees on the shore at right, 
while on the opposite bank are green fields, and in the 
distance a stretch of flat country; sky of clouds with a 
space of blue at upper right. 


Signed at the lower left: W. M. Brown. 


Property of Mrs. CLarENcE W. SEAMANS. 


ROSWELL MORSE SHURTLEFF, N.A. 
AMERICAN: 1841—1915 


nO) 
Vn 1) © 
is Ime 115—KEENE VALLEY 


Woops of second growth, rich in varying greens, come into 
view at right and left in the middle distance, and, falling 
back at the center, enclose there a clearing above whose 
background tree-tops, a bit of blue sky and massed white 
clouds are to be seen. Touches of autumn color, includ- 
ing brilliant red notes, appear in the brush, and rippling 
down the foreground a silvery brook hastens amid mosses 
and grass and grayish bowlders. 


Signed at the lower left: R. M. Suurtierr, N.A. 


Owner, Davip H. Taytor, Esa. 


JAMES HENRY BEARD, N.A. 
AmeEriIcAn: 1814—1898 


116—A LITTLE CHILD WITH A CAT S S 


Height, 18 inches; width, 14 inches 


A uirtie child, about two years of age, seen at half length 
and to the left is seated in a red-upholstered chair. He is 
pinching the cat held in his hands. 


Signed m the left top corner. 


Property of a Private Collector. 


EDWIN HOWLAND BLASHFIELD 
AMERICAN: 1848— a U eet 
117--AN INTERIOR Veg er 
| Haptd 1. lau . 
Height, 181% inches; width, 14 inches , V | 


Two.ladies in evening dress, one in pink satin and the 
other in white, are seated before a yellow background 
under a palm in an anteroom to a ball room. A numerous 
company is dancing in the ball room, the entrance to which 
is in the right background. 


Signed at lower right: E. H. Buasuriexp, Paris. 


Property of a Private Collector. 


JOSEF ISRAELS 
, Dutcu: 1824—1911 


118S—THK NEW-BORN 


Panel: Height, 12 inches; length, 18 inches 


the left foreground the new-born child lies in its cradle. 
Farther back is the mother, propped up with cushions, in 
! © bed, which has long curtains. In front a girl sits, 

} knitting. A door in the background to the right. 


Nv JU Signed in the right foreground. 


Apparently exhibited at Pittsburgh, No. 67, under the title 
of “Le Nouveau-né.”’ 


To be sold by order of an Executor. 


ADOLFO DUMINI 
Iranian: 18638— 


119—THE BEST FRIEND eS 
6. the Saagsnl 
Height, 171% inches; width, 134 inches 


A Littte child, seen at half length behind a stone parapet 
and almost nude, holds a cat in his arms. 

Signed on the left. 
Property of a Private Collector. 


CHARLES OLIVIER DE PENNE 


Frencu: 1831—1897 ; 


120DOGS lipo Dorel, 
(Water Color) dagh 


Height, 2014 inches; width, 1514 inches 


Four hounds, their coloring black, brown and white, are 
pictured in a group at the edge of a tangle of green brush 
which forms the background. One stands, one is lying 
down, and two are on their haunches, all facing the spec- 


tator. 
Signed at the lower left: Ov. DE PENNE. 


Property of the Estate of the late Henry GraFron DuLany. 


DAVID DE LA MAR 


DutcH: ConTEMPORARY 


54 ZL 121—-SORTING WOOL 
Height, 17 inches; width, 1114 inches 


A. THREE-QUARTER-LENGTH figure, in full face, of a man 
with brown cap and waistcoat and blue shirt-sleeves, pick- 
ing over a quantity of wool; a table at left, and a large 
basket at right. 


Signed at the lower left: D. pz La Mar. 


To be sold by the order of a Trustee. 


ETIENNE ADOLPHE PIOT 


Frencu: ConrTEMPORARY 


122—TETE DE JEUNE FEMME 


ge 


SS 
4. A 4 bn ots Lucchl ; 


¢ Bust portrait of an olive-skinned young woman with 
smiling hazel eyes and parted lips, facing the right, three- 
quarters front, her abundant dark mahogany-brown hair 
loosely held with a deftly tied crimson kerchief. Her 
dark reddish waist partly exposes her breast, and she wears 
a corsage bouquet and coral earrings and necklet. 


Height, 191 wmches; width, 1214 inches 


Signed at the lower left: A. Prov. 


Property of the Estate of the late Henry Grarron Dunany. 


GERARD PORTIELJE O 
Beucium: 1857— See ae ig 


123—_INTERESTING NEWS 
Height, 181, inches; width, 141 inches 


A carp game at an inn table has been interrupted by the 
entrance of a busy worthy who seats himself and reads 
aloud from a journal news deemed of importance. ‘Three 
men in garb of different walks of life variously give heed, 
one mechanically lighting his ‘pipe, and one holding up 
his hand to his ear. 


Signed at the lower left: Gerarp PortieLsE, AN- 
vers, 1888. (Artist’s seal on back.) 


Property of a Private Collector. 


F. SCHAFER 1) 4 ——. 


GERMAN: CONTEMPORARY 


K. ender BUN 


124—A LADY SEWING 
(Panel) 


Height, 20 inches; width, 1434 wmches 


FULL-LENGTH, seated figure of a lady with plum-colored 
gown engaged in binding a blue table-cover with pattern 


of flowers. 
Signed at the lower right: F. ScHaArer. 


Property of the Estate of the late Cecr11a Bore. 


WR WS 
r\s 


| 3° 


a 
- 


1 7- Jbeumen, 
haf: 


f 


FRIEDRICH AUGUST KAULBACH 
GERMAN: 1850— 


125—HEAD 
( Pastel) 


Height, 2034 inches; width, 17 inches 


A LIFE-SIZE head of a little girl with curling hair, in three- 
quarters view, to left; notes of blue and white indicating 
jacket and neck ruffle. 


Signed at the lower left: F. Auc. Kavipacn, °82. 


Property of Mrs. Frepericx 8. Cooxipce. 


OLIVE PARKER BLACK 
AMERICAN: 1868— 


126—SPRING LANDSCAPE 
Height, 14 inches; length, 20 inches 


SPRINGTIME tints of green appear in the meadows of the 
foreground and on the willows and other trees bordering 
a stream, on the right; in the middle distance, other trees 
and some white houses; sky of pale grays. 


Signed at the lower left: O. P. Buacx. 


Property of Mrs. Crarence W. Sramays. 


FRANK MYERS BOGGS 
AmERICAN: 1855— / 


Z —_ 
/s 
127—A BUSY HARBOR Uglhand Sablon 
Height, 15 inches; length, 22 inches 


Across a narrow foreground strip of gray sand and green 
grass the spectator looks to the broad entrance stream of 
a busy European port alive with sailing and steam craft. 
A single figure is seen in the foreground bank, the steam 
of funnels and the smoke of chimneys merge with the low 
vapors of a murky sky, and the buildings of the city 
show gray and cream and rose, and in tones dark almost 


to blackness. 
Signed at the lower left: Bocas. 


Property of a Private Collector. 


CHARLES PAUL GRUPPE / Y Q 


AMERICAN: 1860— 
1283—THE DAIRY vay Sa 


Gor urn’ lable 
Height, 1524 inches; length, 2124 inches 

A scENt in Holland, with morning sunlight effect, show- 

ing the walls of a white house flecked with the shadows of 

a wide-spreading tree, in foreground; a shed at left, hous- 

ing milk carts, and a woman before the door of the house, 

busy with milk jars and brass cans. 


Signed at the lower right: Grurre, 92. 


To be sold by the order of a Trustee. 


= 


~Y JEAN JACQUES HENNER 
Frencu: 1829—1905 


\ 
> 


129-TETE DE FEMME 
Height, 18 inches; width, 13 inches 


4 oy) CAA fs * ° ° 
AM and FORMA “Tiny aioe! picture, in full-face view, of a young 
woman with bright auburn hair, which falls over her shoul- 
ders; brown bodice, blue background. 


Signed at the upper left: J. J. HENNER. 


Purchased from M. Knoedler & Co., New York. 
Property of the Estate of the late Cece1ta Bore. 


TeX Porreghh i, @th 1907, fea Kooo, 
Sol. Staten tre Ab 24/02, PAOEX., 


ADOLPHE MONTICELLI ae 
Frencu: 1824—1886 / Wer VN 
130—LADY AND SWAN g | oh ca / 
(Panel) aM \ A: " 


Height, 23 ches; width, 15 inches 


A. FULL-LENGTH figure of a woman with a red parasol, the 
handle resting on her left shoulder, feeding a white swan, 
which is seen, at left, swimming up close to the green bank 


of a lake. 


Signed at the lower right: MontIcE.u. 


To be sold by the order of a Trustee. 


EMILE VAN MARCKE 
Frencu: 1827—1890. 


131—PAYSAGE Yh. Renae © ‘hands al 


Yoo 


Height, 1914 inches; length, 28 imches Pe : 
ts 
A SscENE on a French farm, the foreground a lightly roll- WT Jeane | 


di GT « 
eG 
{ 


ing bit of land steep with tangled grasses, and enclosing 
the corner of a pond, and seen in shadow, all the herbage 
and foliage in the rich deep green of mid-summer. In 
the middle-ground is a low tree of thick foliage, the shad- 
ows of its outlying branches marked by sunshine on the 
walls of a gray cottage. At left, seen in the distance 
and in sunlight, beyond a pollarded tree standing at the 
corner of the cottage, a varied herd is grazing in a broad 
pasture which is bounded afar by woods. 


Signed at the lower right: EM. van Marcke. 


Property of a Private Owner. 


4] a 


(xo 


ADOLPHE MONTICELLI 
Frencu: 1824—1886 


| a 
132—FETE CHAMPETRE \| K 


Height, 18 inches; length, 251% inches 


A. SUNLIT retreat in a densely wooded park. glows with a 
warm golden light, which illumines grass and wild flowers, 
the floral displays of formal cultivation, and the brilliant 
apparel of gallants and ladies assembled there. At the 
edge of the group, on the right, a musical beau of sprightly 
step plays the lute, and in the distance, through an open- 
ing in the deep green trees, a palace looms against the 
sky. | 

Signed at the lower right: MonticE.i. 


Purchased from Daniel Cottier, the founder of Cottier & Co. 


Property of Mrs. C. L. Arrersury. 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


1383—GOLDEN SUNSET 
Height, 18 inches; length, 24 inches 


A QUIET countryside of green fields remaining in their 
wildness extends from a broad foreground and occupies 
the center and the left of the picture, along the skirts of 
a low wood which lies on the right. In a rambling path 
through the fields, winding along the border of the wood, 
a man accompanied by a little girl, who clings to his hand, 
is seen walking slowly away from the spectator, toward 
the setting sun, the lengthening shadows of the leisurely 
pedestrians accenting their sandy pathway. ‘The sun, it- 
self golden, sinks in an envelope of golden vapor whose 
radiance illumines the edges of dark clouds overhead. In 
the brilliant pathway of the golden light, on the right, is 
the outline of a church spire. 


Signed at the lower left: G. Ixness, 1862. 
See el 


From the collection of the late Charles A. Dana. 
Formerly owned by the late Marshall O. Roberts. 


Property of a Private Collector. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


134_LES JEUX DU BERGER ET 
DE LA BERGERE 


Height, 2234 inches; width, 164 inches 


A srream in the foreground of a glade; trees, reaching to 
the top of the canvas, on a slope at the right; the trunks 
of two birches at the left, about the larger of which a shep- 
herdess and a faun are turning and peeping at each other. 
Beyond is a valley vista and, above, an evening sky, gra- 
dated from qualified warmish tints at the horizon upward 
into the pale gray blues, with here and there a little cloud 
flecked with the light of a setting sun. - 
1 SX 
Signed at the lower left. 


Described and illustrated in Robaut’s, “L’Giuvre de Corot,” No. 
1656. 


From the famous William H. Stewart Collection, New York, 1898. 
Catalogue No. 98. pbLsoo 


From the Isidor Wormser Collection, New York, 1917. 4/2 pfoo 4 
By order of a Private Collector. bine: 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1817—-1878 


135—LANDSCAPE 
(Panel) 


Height, 1314 inches; length, 24 inches 


A LANDSCAPE marked by the firm handling and unity of 
ensemble characteristic of Daubigny. On the right a 
stream, with a belt of trees on the farther shore; at the left, 
on the bank, red-roofed cottages. The luminous sky is 
composed of clouds suffused with pink. 


Signed at the lower left: Dausieny. 


Property of Mrs. Freprerick S. Cooxmee. ke 
Ny 


Hed wo 


U NAY 


4  & 
=i Je a 


GUSTAVE COURBET ie ae 


Frencu: 1819—1877 eee | 


/ : Luh Gate 
136—AT LOW TIDE Gil Ce we 


is 
wt 


Height, 18 inches; length, 2314 inches 


‘I'wo fishing boats, one with blue hull and the other black, 
the sails of neither vessel lowered, lying on a sandy beach, 
with a pier back of them, at left; on the right a glimpse 
of the sea; sky of gray clouds with a space of blue. A 
distinguished color harmony of sober tints. 


Signed at the lower left: G. CoursBer. 
To be sold by the order of a Trustee. 


CESAR DE COCK : 
Beucian: 1823— / /0 


187A GRAY DAY 2 ee 


4 late 
Height, 26 inches; width, 18 inches : Thorne 


Own the bank of a little stream, which passes between level 
stretches of green and is bordered with slender trees in 
spring foliage, a peasant is seated fishing. Near the mid- 
dle of the picture is a white-walled mill, and a gray sky 
appears through the upper branches of the trees. 


Signed at the lower right: César pE Cock: 1887. 
To be sold by the order of a Trustee. 


C ; 
ype B, 


er 


Yotband Gallerie 


JOHANNES BOSBOOM 


DutcH: 1817—1892 
138—IN THE CATHEDRAL 
Height, 2134 inches; width, 164 inches 
Iyrerror of a great cathedral, in golden light and in amber 


and deep brown shadows, with an indefinite mass of people 
kneeling on the floor. 


Signed at the lower left: J. Bossoom. 


Property of Mrs. C. L. ATTERBURY. 


FREDERICK J. V. DU CHATTEL 


DutcH: 1856— 


139—THE LOCK BRIDGE 
Height, 22 inches; width, 154 inches 


A Narrow canal bisecting the picture is silvery and rich 
with reflections of sky, foliage and the soft colors of gabled 
buildings on either bank, and crossing the stream in the 
middle distance is a bridge, above lock gates, one of which 
is open. : 7 
Signed at the lower left: Frep. J. pu CHATTEL. 


From the collection of the late THroporre C. Nok. 


le 


THEOPHILE DE BOCK 
DutcHu: 1850—1904 


140 THE WHITE BIRCH uh 
Height, 231% inches; width, 17°4 inches 


STANDING in the foreground on the right a tall white birch 
rises above the picture limits, a few slender neighbors 
growing near it and a group of denser trees beyond, their 
foliage in autumn tones. At left the head of a pond, and 
in the background broad fields and low hills. 


Signed at the lower left: Tu. DE Bocx. 


From the collection of the late Turovore C. Nok. 


JOSE WEISS 


EnNGLIsH: CONTEMPORARY A> / 6) 


141—_THE RIVER ene 


Kohn Gellenis 


A pBroap pastoral stream, silvery-gray with reflections of 
the sky, winds between low green banks with rising land 
at either side, and here and there groups of trees. ‘To left 
a wandering path; across the stream, farm buildings. 


Height, 17144 inches; length, 80 inches 


Signed at the lower left: Wess. 


From the collection of the late THropore C. Nok. 


JEHAN GEORGES VIBERT 
Frencu: 1840—1902 


142—LE MEPRIS DU TRONE 
(Panel) 


Height, 2514 mches; width, 214% inches 


A FINE-LOOKING cardinal, wearing full robes of red, has 
ascended the steps of a dais, covered with crimson carpet, 
which is fastened at the corners by gold eagles, and sees 
the splendid armchair which has been placed for him on 
the throne, only to discover that it is a piece of furniture 
of the Empire and bears the embroidered “N” of the great 
Napoleon. Drawn up at full length, with arms folded 
and head thrown back, he contemplates the emblem of the 
man who bent the Holy Father to his own will, while his 
chaplain in purple robes, at right, holds his hand to his 
face as he suppresses a smile. 


Signed at the lower right: J. G. Visert. 


Purchased from M. Knoedler & Co., New York. 


Property of the Estate of the late Cecr1iia Bore. 


9287, aghh form halih, Uh 1700- foo AMXXX « 


Lol, beng Cnhardh ae Le 


GEORGES MICHEL 
Frencu: 17638—1848 


143—_LANDSCAPE 
Height, 191% inches; length, 24 imches 


A WARMLY toned landscape with sky of gray clouds, de- 
picting a cottage with thatched roof, clumps of trees and, 
at left, a cliff. 

Stamped on the back of canvas: G. M. 


T'o be sold by the order of a Trustee. 


GUSTAVE DOYEN 
Frencu: 1887— 


144—THE BLUE FAN 
Height, 24 inches; width, 20 inches 


LuE head and shoulders of a young woman, face in three 
quarters view, wearing a gown of black trimmed with gold 
and holding in the right hand an open fan of blue with 
pattern of flowers. 


Signed at the upper right: G. Doyen, 1880. 


Property of the Estate of the late Cecetia Bore. 


GABRIEL CORNELIUS VON MAX 
GERMAN: 1840— [ (o O 


145—W AITING aa 
Height, 23 mches; width, 17 inches 


A HEAD and shoulders picture of a young woman, with 
gown of brown and a white shawl covering her blond hair, 
depicted with her head resting on her folded hands as she 
leans against the trunk of a tree. At the left, a glimpse 
of evening sky. 

Signed at the upper right: G. Max. 


Property of the Estate of the late Ceceria Bore. 


WALTER FLORIAN 
AmERICAN: 1878—1909 


/ O 146—LANDSCAPE 


Pa 


x" In the foreground, a pond; in the middle distance, sloping 
ereen fields, with two tall trees at right; sky of pale blue 
with warm-tinted gray clouds. 


Height, 22 inches; width, 18 inches 


Signed at the lower right: WaLTER Fiorian, 1901. 


Property of the Estate of the late CreceiiA Bore. 


et 


a 


HENRY PEMBER SMITH 
< American: 1854—1907 


a | 


y ) 4 ,™~ 147 ON THE SHORES OF LAKE COMO 


WM Scamwar, Height, 20 inches; length, 28 inches 
Ag. Tue placid waters of Lake Como appear in the fore- 
ground, under an Italian sky of blue, and reflect the green 
foliage of trees and shrubbery which embowers a group of 
buildings and a tower, with white and pink walls and red 
roofs, on the sloping shore in the middle of the picture. At 
the left, in the distance, rises a mountain with steep de- 
clivities. 
Signed at the lower right: Henry P. SMITH. 


Property of Mrs. CuareNcE W. SEAMANS. 


eS ee 


GEORGE H. BOGERT, NA —/ 4 OU 


Ff 


AMERICAN: 1864—_ . 44 Wy, fre he 
148—_WINTER LANDSCAPE IN MOONLIGHT 


Height, 20 mches; length, 24 inches 


A FLAT, snow-covered field with patches of wiry grass 
protruding through the soft covering of snow, and near the 
center of it a tall haystack; beyond, scattered fruit trees 
with foliage all but gone, and a low cottage in which a 
warm light glows. All seen in a calm moonlit night. 


Signed at the lower right: Grorcr Bocrrt, 1895. 
On back, signature repeated and Marworrte. 


Property of a Private Collector. 


JAMES GALE TYLER } /) e: 
/ ) 
AMERICAN: 1855-— ii U/ 
149—THE TIDE-RIFT 4 Jacko VAAN SEL 


Height, 27 inches; width, 22 inches 


AL MARINE depicting the tossing waters of the sea with a 
wide strip in sunlight across the picture, sailing vessels 
in the distance, in a spanking breeze, and a high sky filled 
with clouds amid spaces of blue. 


Signed at the lower right: James G. Tyrer. 


Property of Mrs. CLarEncE W. SEAMANS. 


cae 


THOMAS MORAN, N.A. 


American: 1837— 


150—CLOUDS AND SUNSHINE 
Height, 30 inches; width, 25 inches 


Aw effective landscape composition with varied tints of 
green contrasting in sunlight and under broad masses of 
alana shadows. In the foreground a rude footbridge 
crosses a stream which winds through the meadows and in 
the middle distance is a belt of dark-foliaged trees. The 
sky, with small spaces of blue amid rolling gray clouds, is 
illumined at the horizon by a burst of sunlight. 


Signed at the lower left: T. Moran, 1883. 


Purchased from William Macbeth, New York. 


Property of Mrs. Cuarence W. SEAMANS. 


Sa eee ee 


CHARLES WARREN EATON 
AMERICAN: 1857— 


151—MOONLIGHT, 
GREENWICH, CONNECTICUT 


Height, 18 inches; length, 31 wmches 


A GRASSY causeway leads from the foreground, between 
two sheets of smooth water, to the middle distance, where 
there are a building, by the waterside, a long, low shed 
and trees. In the sky of tempered blue the moon is seen 
above a band of clouds, and the whole landscape is 
wrapped in quiet mystery. 


Signed at the lower left: Coas. Warren Eaton. 


Property of Mrs. CLrarence W. SEAMANS. 


(Ciel 


BERNEDE bn 


FRENCH: CONTEMPORARY ue ~ 
> 


152—STILL LIFE 
Height, 8234 inches; width, 261% wmches 


A pisH filled with grapes and pears, some peaches and 
other fruits and a melon, a glass beaker and a tall porcelain 
urn of white and blue, all grouped together on a table. 


Signed at the lower left: BERNEDE. 


Property of the Estate of the late Cecre.ia Bore. 


§ $0.- 


fem tory 


AMERICAN: 1859— 


1583—-LANDSCAPE 


Height, 20 inches; length, 380 inches f~ fj FES. 
> J \K 
In the foreground, a green meadow, brown herbage an p Jv 
at right, a great gray bowlder; in the distance, a vall Va § 


partly in cloud shadow and partly in sunlight; sky 
white and dark gray clouds with small patches of blue. 


Signed at lower left center: Ex.tiorr DaAINGERFIELD. 


Property of Mrs. FreEpericx S. ee 


(Je. 


_— 
24 0 
ed 


falar a 


HENRY PEMBER SMITH 


AMERICAN: 1854—1907 


154—-OLD OAKS IN SEPTEMBER 
Height, 20 inches; length, 28 inches 


Oaks with wide-spreading branches and foliage slightly 
tinged with brown are seen, in the sunlight, on the sloping 
shores of a pond at the left; part of the foreground lies 
in deep shadow, and in the blue sky of afternoon are masses 
of lightly floating clouds. 


Signed at the lower right: Henry P. SmirH. 


Purchased from Fishel, Adler and Schwartz, New York. 


Property of Mrs. CLarENcE W. SEAMANS. 


CARLETON WIGGINS, N.A. 


AMERICAN: 1848— 


155—A STRANGER IN THE FIELD 
Height, 23 mches; length, 35. inches 


Srx cows in a broad, treeless and dune-like pasture have 
simultaneously made discovery of a stranger in their 
field, and they give him their undivided and interested 
attention. Five are closely grouped—a single white one 
and four black and whites—and a black cow comes up at 
rear of them, and every eye is bent keenly in the spectator’s 
direction. 


Signed at the lower left: CarteEtTon Wicerns, 1885. 


FRITS THAULOW 
NorweEcian: 1847—1906 


i 


156—THE BOIS IN WINTER Fog 


Height, 20 inches; length, 2814 inches 


eee 


AN unusual picture of a broad avenue through the famous 
Wood,—roadway, walks and trees under a thick mantle 
of snow, the air grayish with the finely driven fleece, the 
sky tinged with sunset colors, and people out for a walk in 
the snow. 

Signed at the lower right: Frirs ‘THauLow. 


From the George N. Tyner Sale, New York, 1917. KKK 5820+ Ih hbuhil 
Property of a Private Collector. 


EUGENE MEDARD | are 
Frencu: ConreMPoRaRy O &, 


157—IN WAR V/A a 


Height, 2144 inches; length, 32 inches 


THe curving street of an old French town winds into 
view from amid houses and outbuildings, and is bordered 
by high garden walls, old and creamy-gray like the houses. 
Down the street come a company of armed men, in haste, 
keeping close to the wall, while in the background infan- 
trymen are fighting about the courts and corners of the 
houses, some of the men lie dead there, and an exploding 
shell sets fire to a roof. 


Signed at the lower right: EucrnrE Meéparp. 


Property of a Private Collector. 


61 i Kk 
ADOLPHE MONTICELLI 
Frencu: 1824—1886 


158—_WOODLAND WORSHIP 


Height, 1734 inches; length, 295% mches 


One of the most characteristic of Monticellis, a rich fan- 
tasy of color and light, with the gregarious human note, 
linking dignified man and bewitching woman with alluring 
Nature. Within a setting of gorgeous woodland, the 
arched portal of a temple, toward the left, and before it 
and spreading largely over the picture many people closely 
massed and richly garbed. Dogs rub noses before them, 
near the center of the composition, and at the right horses 
are tethered to the trees. 


Signed at the lower right: MontTIcELu. 


Property of Mrs. C. L. Arrersury. 


~ enn 


ee 


d 


THEOPHILE DE BOCK 


Dutcu: 1850—1904 


159—-LANDSCAPE IN SUNSHINE 
AND SHADOW 


Height, 2214 inches; length, 31%4 inches 


A BroapD road of irregular character winds through a flat 
country, with low trees of dense foliage, many in number, 
at either side, a church spire rising above them in the 
distance and red-roofed cottages seen among them at the 
left. .A sharply defined cloud-shadow crosses the fore- 
ground, and just within it a peasant woman and a child 
approach. 

Signed at the lower right: Tu. DE Bock. 


From the collection of the late THroporE C. Nok. f 


we 


al 


Ye” 


HENRI HARPIGNIES 
Frencu: 1819—1916 

160—_LANDSCAPE 

Height, 2534 inches; length, 3214 inches 
Ar right, birch trees and saplings growing in a foreground 
of deep green herbage at the foot of a knoll, beside a 
spring whose waters ripple among small boulders. At left, 
rising land and struggling saplings. In the distance, be- 


yond a reach of water, blue mountains vague in mist, under 
a light sky with tufts of cloud touched with sunset tints. 


Signed at the lower left: H. Harprienies, 1900. 


From the collection of the late THropvore C. Nok. 


Aa fi 


ft 


34d. 


MN Ok 


; 
z 


—— eee — 


FRANCOIS ADOLPHE GRISON 
Frencu: 1845— 


161—BRIDAL PARTY RETURNING 


E3 fay | IN ; 
q EF Sranfe FROM THE MOUNTAINS 
/ C / a Height, 25%, inches; length, 32 inches 
“7 
: _~ Passrne through a village with thatched cottages, lining 


ae the highway, are various personages of importance in 
3 gala attire, some riding on donkeys and others on foot, 
while the village women at the cottage doors and near a 
well, on the right, look on with curiosity and smiling ap- 


proval. In the distance is a mountain side, and overhead 
a blue sky. re 


; Signed at the lower left: Grison. 
SHS. bong heh ( fanres MAuak, Beh 1 bh,, es SSKX _ Sold fey aed Musitfets 4 PNK y 
Purchased from M. Knoedler & Co., New York 


. 


Property of the Estate of the late Cecrewsa Bora. 


SKIS 4 Cadi fay SrlX 4b b9bx - 
doth . damon oa Grit 19021 BMXX* 


, 
; 


Se ee 


Es ee 


EUGENE JOSEPH VERBOECKHOVEN 


Beieian: 1799—1881 Le De gas 
09 O 


162—LANDSCAPE AND SHEEP oe - 


Panel: Height, 23 inches; length, 3314 inches “fp x bya fr 


A Fuock of full-fleeced ewes, with two lambs, and a goat in 
the lead, at left, followed by a shepherd and his dog, ad- 
vancing in the foreground; in the middle distance, a stretch 
of rolling country; sky of clouds illumined by the sun. 


Signed, on a rock, at lower right: KEucENE VERBOECK- 
HOVEN, F. 1877. 


On back of panel, a signed declaration in French by the 
artist of the originality of the picture, dated, “Brussels, 1877.” 


Property of the Estate of the late Cecre.ia Bore. 


EMILE VAN MARCKE os 
FrencH: 1827—1890 


1683—THE WHITE COW AND THE HERD 
Se es as 


Height, 22°4 inches; length, 3714 inches 


In the foreground a rambling pond or sluggish stream 
skirting the border of a broad and rich meadow of deep 
grass near the sea, the meadow vanishing at a level skyline 
far on the left and in the central distance, and on the right 
in nearer distance bounded by a low hill clothed in dark 
green. Standing athwart the picture, facing left, in the 
shallow water of the foreground stream, is a white cow, 
her thick coat cream-tinged. She has raised her head from 
drinking, and turns it sharply to her left, with keen, alert 
eve. A bell hangs from her neck. A sorrel cow with a 
white face, standing alongside and beyond, turns her white 
face and looks at the observer over the white cow’s shoul- 
der. Standing and lying down in various attitudes, about 
the meadow or grazing, are others of the herd, seen in 
sunshine under a sky billowed with gray and white clouds. 


Signed at the lower left: EM. vAN MAarckeE. 


Property of the Estate of the late Henry Grarron Durany. 


ADOLPHE MONTICELLI 
Frencu: 1824—1886 


164—_CHREMONY IN THE WOODS 
Height, 19% mcehes; length, 31144 mches 


A composition of figures and woodland landscape in 
which the personalities are carried to further expression 
than in many of the Monticelli paintings. Seven figures 
appear, all in resplendent courtly garb, vying in color with 
the gorgeousness of the woods which form the background 
against which they are seen. To left, two ladies appear to 
pay homage to a man in a white-plumed cap, a couple 
emerge from the central woods back of them, and on the 
right are two other persons, in conversation. 


Signed at the lower right: MonticELtt. 


Property of Vicror Harris, Ese. 


+s 
tI 
= 
f 
é 


WILLIAM ADOLPHE BOUGUEREAU 
Frencu: 1825—1905 


165-—-YOUNG MOTHER AND CHILD 
Height, 39 inches; width, 29 inches 


4 
? f 
Ce) 4 Y) AL THREE-QUARTER-LENGTH, life-size figure of a young 
"A = / woman, a garland of leaves on her black hair, clad in white 
ey draperies and holding in her arms a nude infant. Back- 

ground of foliage, flowers and sky. 


Signed at the lower left: W. BoucuErzrau, 1900. 


Property of the Estate of the late Crecre.ta Bore. 


EMILE VAN MARCKE 


FrenNcH: 1827—1890 py 
166-—LANDSCAPE AND CATTLE ( ex 
Height, 22°34 inches; length, 3714 inches 


From the left middle-ground, where at their entrance into 
view they rise above the picture limits, a line of dense trees 
recedes into the distance, the foliage toward the spectator 
being in its own deep shadow, under a blue sky lively with 
creamy, white and soft grayish clouds. In sunshine in 
the foreground, in front of the trees, in a flat pasture 
whose darkish green grass is grazed close, two white-faced 
cows leisurely approach the spectator, side by side. One 
is tawny and one dark red, and back of them comes a black 
cow with white forehead and under-breast, while white and 
fulvous cows and more of the herd are farther away on 
the right, and in the distance is seen a haystack, and near 
it a peasant in a blue coat. 


Signed at the lower left: Em. van Marcxe. 


Property of the Estate of the late Henry Grarron Dunany. 


Cas 


FRITS THAULOW 


Norwecian: 1847—1906 — [, 


| Le" 
167—THE OLD BRIDGE | 


Nx ( 
Height, 321 inches; length, 40 inches 


In the left middle distance is a red brick bridge, under 
which the stream runs into the right foreground. Red- 
roofed cottages are under the trees on the far bank on 


the right. 
Signed in the right foreground. 


To be sold by order of an Executor. 


WX. Elhive ho NA t- #St 


Yolen 4 A aher 7| 
a 


DANIEL RIDGWAY KNIGHT 


AMERICAN: 1845— 


168—BY THE BRIMMING RIVER 
Height, 46 inches; width, 35 inches 


FULL-LENGTH figure of a young French peasant girl, with 
blue skirt, bodice and apron of purple with spots of dark 
red, white sleeves and a red headkerchief, standing by a 
wall, over which is seen a landscape with a river and sky 
of reddish yellow; a jug on the wall and a brass milk can 
on the grass, at the feet of the girl. 


Signed at the lower right: Rineway Kwicut, Parts. 


Purchased from M. Knoedler & Co., New York. 


Property of the Estate of the late Cecria Bore. 


L010 Enghh Anliah bn 1896 4 foe EXXX 
| Lta aad Apert 1896 - APMoSX 


ISlf - Coedickh SL Aodlaue Syck /904 4 
Pipi. < bt 5/901 4 PMSKX . 


ncncnipic senate 


THEOPHILE DE BOCK 


Dutcu: 1850—1904 


169—AMSTERDAM 


— Height, 2544 mches; length, 4714 inches 


A GG pew EXTENDING from the left and projected nearly across the 
SD, | picture lies the great Dutch city, its buildings a warm 


| reddish-brown and soft gray in transparent shadow, with 
gy ah x Foyle distant roofs alight in sunshine, and in the foreground 
and on the right is the river. The tide is low and the water 
tranquil, and the sky is a greenish-turquoise with clouds 
of cream and white and dusky gray. 


Signed at the lower left: Tu. pre Bocx. 


Property of Mrs. C. L. Arrersury. 


\ Ke 


f 
) Uf 


W. DENDY SADLER 


ENGLISH: CONTEMPORARY 


170—CALLED TO ACCOUNT 
Height, 40 inches; length, 60 inches 


A CARDINAL, severe of countenance, is observed in profile 
to the left, seated at a table with silken coverings, and 
looking sternly at a brown-robed friar who stands not too 
penitently before him, arms folded across his breast. At 
the table, seated beside his Eminence, a clerk poises his 
quill and looks up, waiting for the culprit to speak, and 
another attendant stands at the cardinal’s elbow. Two 
candles are alight, on the table, and a fire glows on the 
hearth beyond the standing friar. Several of his brethren 
stand disconsolately behind him, at the left, one of them 
fingering a rosary. On the floor is a richly colored rug. 


Signed at the lower left: W. Denpy Sapuer, ’83. 


Property of a Private Owner. 


GEORGE VICAT COLE 
Britiso: 1833—18938 


171_-SHEEP, CATTLE AND LANDSCAPE 


_S ae 
2 f Height, 461 inches; length, 72 inches 


A. LANDSCAPE in Italy with mountains, a lake and a sum- 
mer sky with white clouds, serves as the setting for a flock 
of sheep, lambs and two cows which are seen in a sloping 
foreground pasture. On the heights, at left, two shep- 
herd boys are eating their frugal luncheon with their collie 
seated on a rock beside them. 


Signed at the lower left: G. Coir, 1859. 


Property of Mrs. Crarence W. SEAmans. 


HENRY PEMBER SMITH 2Hh0 
AMERICAN: 1854—1907 — 
172—THE STORM 
Height, 361% inches; length, 5414 inches 

Unoper a sky of thunderous clouds the ocean is in turmoil 
ina gale. At left in the foreground a great stone quay 
puts out, enormous seas breaking over the end of it and 
high above its bulwarks. On it, in a lee, are a group of 


men watching a steamer and a sailing boat tossed in the 
waves and drenched in the smother, off toward the right. 


Signed at the lower right: Henry P. Smiru. 


Property of a Private Collector. 


HUGO FREDRIK SALMSON Pe a 
SweEpDIsH: 1843— OB 
173—_THE RETURN AT EVENING aud Gallet 


Height, 39 inches; length, 58 inches 


Broap fields almost level, green and golden brown, and 
extending as far as eye can see, have been reaped and 
are dotted with the stacked grain. In a winding field road 
across them, coming from the left along the foreground, 
a young peasant and his wife and their two children are 
making their way homeward at the close of a harvest day. 
He swings a scythe over his shoulder and follows his wife, 
who is pushing a wheelbarrow loaded with clover grass and 
giving the smaller child a ride. The other child, a bare- 
footed girl in blue, walks alongside, dragging a golden 
sheaf of wheat. A ray from the setting sun which gilds the 
tops of a few of the stacks just catches the edges of the 
faces of the grown-ups as the sun is sinking below the 
horizon. 

Signed at the lower left: Huco Samson. 
Purchased from the late C. F. Haseltine, Philadelphia. 
Property of a Private Collector. 


Si0. Sa berey Sale 1891, R308 BMS , 
Lh, Ubteywr belal: Let ye, Ris B 870 - Se PS Se 


EI fe 


A bY 
S, 


DANIEL RIDGWAY KNIGHT 
AmERICAN: 1845— 


174 HARVESTING THE POTATOES 
Height, 65 inches; length, 99 inches 


Peasants of France are gathering potatoes in baskets and 
bags, in a rough field which is skirted at the left by a high 
bank, five figures appearing altogether. In the fore- 
ground a small boy has built a fire, and beside it an old 


woman is preparing food. -de4n 7, M22 - 
Signed at the lower left: Ringway Kyicut, 1887. 


Property of a Private Collector. htve Aheloy Pytd2t~<5 


OW Gy Ahan om corcizsnesr, Mey (9b, eh NS 
Melee MY OGEG 


GERMAN: 1837— 


wa Meh rngne 7 A KARL RAUPP 
2) ) VV 


175—HAPPILY SAILING 
Height, 314% inches; length, 511% inches 


NINE small Teutonic children have piled into a long-boat, 
with sail up, one little girl carrying her doll along, and 
are happy as though sailing the wide ocean, while a young 
woman carrying a child and an old man smoking a pipe 
look contentedly on from the bank against which the boat 


lies. | 


Signed at the lower left: K. Raupp, Mtncuen, 1887. 


Property of a Private Collector. 


EDMOND DE SCHAMPHELEER 
Beucian: 1824— 


f 


i O 176—IN HOLLAND 


Height, 33 inches; length, 551 inches 


Ym ‘ Mh z nth 
Tue foreground is occupied by an estuary of the sea, with 
two peasant women in a rowboat and reeds and trees on 
the shores, at left; in the middle distance, the red, white 
and yellow buildings of a town, boats at anchor and a white 
bridge. over which a train is passing; summer sky of blue 


and clouds. 
Signed at the lower left: EK. p—E SCHAMPHELEER. 


Property of the Estate of the late Ceceia Bore. 


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THEIR WORKS 


4 


di 
t 


LIST OF ARTISTS REPRESENTED AND 


THEIR WORKS 


BEARD, James Henry, N.A. 
A Little Child with a Cat 


BEECHEY, Sir WILLIAM 


Portrait of a Young Lady 
Portrait of Queen Charlotte 
Portrait of an English Nobleman 


BERNEDE 
Still Life 


BIGG, Witi1am Repmors, #.A. 
His First Pair 


BLACK, OLive PARKER 
Spring Landscape 


BLAKELOCK, Ratrpu Axpzert, N.A. 


Autumn Landscape 


BLASHFIELD, Evwin Howtanp 
Two Ladies 


An Interior 


BOCK, THEOPHILE DE 
Low Tide 
The White Birch 
Landscape in Sunshine and Shadow 
Amsterdam 


CATALOGUE 
NUMBER 


116 


126 


Oi 


110 
117 


99 
140 
159 
169 


BOGERT, Grorce H., N.A. 
Winter Landscape in Moonlight 


BOGGS, Frank Myers 
A Busy Harbor 


BOL, FERDINAND 
Portrait of a Young Man 


BOSBOOM, JouHANNEs 
In the Cathedral 


BOSCH, Jrromer 
The Legend of St. Christopher 


BOUDIN, Evciynet 
Dunkerque Harbor in Winter 


BOUGUEREAU, Wuitam Apo.pHE 
Young Mother and Child 


BRONZINO, ANGELO 


Portrait of Eleonora of Toledo and 


Her Son 


BROWN, WiturAmM Mason 
High Water in the River 


CAMPI, Grunio 


Portrait of a Gentleman 


CHASE, Harry, A.N.A. 
In the English Channel 


- CATALOGUE 
NUMBER 


148 


127 


138 


18 


102 


114 


109 


CHASE, Witu1am Merritt, N.A. 
Afternoon Shadows 


COCK, Crsar DE 
A Gray Day 


COELLO, Atonso SANCHEZ 
Portrait of a Spanish Lady 


COLE, Grorce VICAT 
Sheep, Cattle and Landscape 


COROT, JEan Baptiste CAMILLE 
Aux Bords du Lac 


Les Jeux du Berger et de la Bergere 


COTES, Francis, R.A. 
Miss Broughton, Holding a Mask 


COTMAN, JouHN SELL 
At the Pier 


COURBET, GusTAvE 
At Low Tide 


DAINGERFIELD, Etniort, N.A. 
Landscape 


DAUBIGNY, Cuaries FRANCOIS 
Landscape 


DE LA MAR, Davin 
Sorting Wool 


CATALOGUE 
NUMBER 


67 


171 


107 
134 


61 


136 


135 


121 


DE PENNE, CuHarues OLIvIER 


Does 


DESORIA, Jean Baptiste FRANCOIS 


The Princesse de Lamballe 


DIAZ DE LA PENA, NarcissE VirciLe 


In the Forest 


DOYEN, GusTAVE 
The Blue Fan 


DU CHATTEL, Freperick J. V. 
The Lock Bridge 


DUCK, Jaxos 
The Mountebanks 


DUMINI, Apo.¥ro 
The Best Friend 


DUPONT, GarInsporouGH 
Portrait of a Lord Mayor of London 


DUTCH SCHOOL 


Portrait of a Man 

The Smoker 

A Peasant 

Portrait of a Seigneur de Ripperda 
Portrait of Aysma Van Lauta 
Portrait of a Lady 


DUVIEUX, Henri 


Sunset 


CATALOGUE 
NUMBER 


120 


24 


104. 


144 


139 


17 


119 


U7 


84. 


a 


CATALOGUE 
NUMBER 


EATON, CuHarLtes WARREN 
Moonlight, Greenwich, Connecticut 151 


EBERLE, AboLr 
A Platter of Fish pe2o4 


EGUISQUIZA, RoGELIo DE 
The Visitor | 92 


ENGLISH SCHOOL 


Landscape 6 
Portrait of a Young Lady 9 
Portrait of a Lady 13 
Portrait of a Lady 25 
Landscape 27 
A Wreck off Dover 28 
Portrait of a Lady with Her Daughter 40 
Portrait of a Lady 63 


FLEMISH SCHOOL 
Portrait of a Lady 76 


FLORIAN, WatLTER 
Landscape 146 


FRENCH SCHOOL 


Portrait of a Marquise 22 
Portrait of a Princess Palatine 29 
Portrait of a Warrior 31 


GASCARD, HEnrI 
Portrait of a Lady of the Court 51 


GIBSON, WittiamM Hamintron 
Connecticut Landscape 113 


GRISON, Francois ADOLPHE 


Bridal Party Returning from the 
Mountains 


GRUPPE, CuHarites PAu. 
The Dairy 


GUILLON, EucGeEnrt ANTOINE 
Cupid Disarmed 


HALS, Dirx 
A Musical Party 


HALS, Frans (4fter) 
Portrait of a Boy, Laughing 


HARPIGNIES, Henri 
Landscape at Ville Franche-sur-Mer 
Landscape 


HART, Wii, N.A. 
Cows at the Brook 


HENNER, Jran JAcQueEs 


Téte de Femme 


INNESS, Geroreet, N.A. 
Golden Sunset 


ISRAELS, Josrr 
The New-born 


ITALIAN SCHOOL 
Portrait of a Man 


CATALOGUE 
NUMBER 


161 


128 


78 


36 


83 


129 


133 


118 


~~ 


JACQUET, Jean GUSTAVE 
Pastoral 
L’Eté 


JANSSENS, CorneE.is 


Portrait of a Man 
Portrait of a Lady 


KAULBACH, Friepricu AUGUST 
Head 


KEVER, JoHan Sron Henprik 
Dutch Children 


Interior with Figures 
o 


KICK, Simon 
The Interior of an Artist’s Studio 


KNIGHT, Dante. Rineway 
By the Brimming River 
Harvesting the Potatoes 


KNOOP, A. 


The Connoisseurs 


LAWRENCE, Sir THomas (Attributed to) 
Louisa, Duchess of St. Albans 


LAWRENCE, Sir Tuomas (Period of) 


Portrait of the Hon. Mrs. Wolff 
Portrait of a Lady 


Meio k, Sig PETER 
Anne, Countess of Northumberland 
The Duchess of Portsmouth 
The Countess of Rochester 


CATALOGUE 
NUMBER 


he 
103 


37 


CATALOGUE 


NUMBER 

LELY, Sir Peter (Attributed to) 

Portrait of Nell Gwyn 60 

Portrait of Queen Catharine of Braganza 64 
MARTIN, Homer D., N.A. 

Great Marlow, England 96 
MARIS, WiLtLeEM 

In the Low Countries 100 
MAX, GABRIEL CORNELIUS VON 

Waiting . 145 
MIEREVELT, Micurier Jans 

Portrait of a Woman 4A 

Portrait of a Man 56 
MIGNARD, Pierre (Attributed to) 

The Duchesse de Chevreuse 50 
MEDARD, EUGENE 

In War Lda 
MERLE, Hucurs 

Abraham and Isaac 88 
MICHEL, Grorcess 

Landscape 143 
MONTICELLI, Apnotrue 

Deux Femmes 89 

Figure Group 93 

Travelers at the Well 98 

Lady and Swan 130 

Féte Champétre | 132 

Woodland Worship 158 


Ceremony in the Woods 164 


MORAN, Joun L&ron 
The Mirror 


MORAN, Tuomas,;N.A. 
Clouds and Sunshine 


MURILLO 


San Fernando 


NATTIER, Jean Marc 
Portrait (supposed) of the Duc de 
Mortemart 


PIOT, ErTreNNE ADOLPHE 


Téte de Jeune Femme 


PORTIELJE, Grrarp 


Interesting News 


PULZONE, Screto (caren GAETANO) 
Portrait of Cardinal Ricci 


PRUD’HON, PIEFRRE 
Cupid and Psyche 


RAEBURN, Sir HENRY 
Portrait of a Man 


RAUPP, Karu 
Happily Sailing 


REHN, Franx Knox Morron, N.A. 
Near Annisquam, Cape Ann 


CATALOGUE 
NUMBER 


74 


30 


12 


70 


CATALOGUE 


NUMBER 

REYNOLDS, Sir Josuva 

Portrait of Anthony Chamier 68 
REYNOLDS, Sir Jospua (Attributed to) 

Portrait of an Englishman 42 
RIBERA, Jusrrre (Attributed to) 

Portrait of a Man 7 
RUBENS, P. P. (Attributed to) 

Portrait of a Man 10 
SADLER, W. Denpy 

Called to Account 170 
SALMSON, Hvuco Freprix 

The Return at Evening 173 
SCHAFER, F. 

A. Lady Sewing 124 
SCHAMPHELEER, Epmonp pr 

In Holland 176 
SCHLEICHER, C. 

Expounding the Talmud 90 
SCHRODER, A. 

A Cavalier 87 


SHURTLEFF, Rosweit Morse, N.A. 
Keene Valley 115 


SMITH, Henry Pemper 


On the Shores of Lake Como 
Old Oaks in September 
The Storm 


STEEN, Jan 
The Family of the Artist 


SPANISH SCHOOL 
Portrait of a Lady 


THAULOW, Frits 


The Bois in Winter 
The Old Bridge 


TOCQUE, Lovts 
Portrait of a Lady 


TOURNIERES, Rosert 


Portrait of the Comtesse de Bougainville 


TROY, Niconas pe (Attributed to) 
Portrait of a Lady 


TYLER, James GALE 
The Tide-rift 


VAN DE VELDE, WILLEM 


Sea View 


VAN DER NEER, AErt 
A Landscape by Moonlight 


VAN DER NEER, AgErtr (Manner of) 
Landscape: Moonlight 


CATALOGUE 
NUMBER 


11 


149 


VAN 


VAN 


VAN 


VAN 


VAN 


VAN 


AN 


DY CKSipa 


Portrait of Jerome (Weston), Second 


Earl of Portland 


Portrait of Lucy, Countess of Carlisle 
Portrait of Isabella, Lady De La Warr 


GELDER, AERT 
David and Bathsheba 


GOYEN, Jan 
A Dutch Canal with Fishermen 


GOYEN, Jan (Attributed to) 
Seascape 


LOO, JEAN BAPTISTE 


Portrait of a Lady 
Portrait of a Lady 


MARCKE, Emit 

Paysage 

The White Cow and the Herd 
Landscape and Cattle 


RAVESTEYN, Jan 
Portrait of a Lady 


VERBOECKHOVEN, EvuGENE JOSEPH 


Sheep and Lambs 

Landscape, with Cattle and Goats 
Cattle Study 

Landscape and Sheep 


VIBERT, JEHAN GEORGES 


Le Mépris du Trone 


CATALOGUE 
NUMBER 


48 


1) 


163 
166 


CORNELIS DE 


- Portraits of Two Young Girls 


EY, Francis, R.A. 
Fisherman’s Departure 


CATALOGUE 
NUMBER 


53 


108 


14] 


155 


95 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


Le 


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Prices 


Old and Modern Paintings by Celebrated Masters Ce ae 


Property of Estates and Bo he in cin 


Buye rs 
$ 30. W.W. Neustadt 
9506 Kleinberger Galleries 
50. A,Reimann 
450.6 Scott & Fowles 
510-6 oat " 
1756 Mre.NeM.Luyks 
140. W.W.Seaman, Agtes 
756 Mrs.Henry A.Goman” 
190. R.Ederheimer 
210. Alfred Strohin 
5000» Scott & Fowles 
4256 W.W.Seaman, Agte 
120-6 ef " 
475. “3 " 
2106 Scott & Fowles 
756 A.Strolin 
1050. Ehrich Galleries 
425.6 R.Ederheimer 
4506 Kleinberger Galleries 
140. Satinover ad 
27106 A.Strolin 
2606 Baron ¢.Thomitsz: 
190.6 Wm. A. Burnett 
1306 Lawrence LeGillespie 
120. Harrison Becker 
2806 W.W.Seaman, Agt. 
Yi Out 
80. Willian A.Burnett 
140. A-Olivottil & Cos 
1225. Otto Bernet, Agte 
160. Wm. A. Burnett 
120.6 A.Olivotti & Cos 
100. ec: e * 
525. Scott ~ Fowles 
4506 MrseHenry A.Goman” 
28006 Kleinberger Galleries 
190. GeFrank Muller 
525. Dr. F. Prank 
120. Wm. A.-Burnett 
170. F, Baumeister 
130. ve Cad ; 
356. £E.Frank Muller 
190. Wm.AeBurnett 


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47 
48 
49 
50 


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Prices Buyers ener 
| $ 525— W.W.Seamen, gts ie 
400. Satinover pate i ‘Se 
2916 4g." F.Baumeister o 
4256 Bl 
4000. | Pa & ‘ieee Bh 
140. Weston Galleries a 
200 Ae Olivotti & eres Sosa 
2005. WmA, Barnett’ pes 
290.  @Frank Muller : Loe 
1750, Shrich Galleries 
750.  Satinover Galleries 
1500. Lewis & Simmons 
2206 Park AveAntique 
2300. epee Gail. 
100. C.A.Guglielmett a 
1000, urs.Gepdany vane 
350. Geo.B.Wheeler. : 
170. F.Baumeister 
L8G.6 54" 
3606 is onksiee i 
150.  $F.Baumeister be 
260. Baron G.fhomitgr 
7000. Lewis & Simmons — 
925. Scott & Fowles ey 
500. cu a | 
275 6 A,Olivotti & Coe ey. 
1106 Wmed, Burnett — or a 
14068 Ie Le G i llespie . a 
3500e # AeReimann s ‘ek ve 
140, Weds Burnett ie 
190. . UH eae Be) 
210. . WA i fis eae 
160. Holland Gallexi es 
B75. = Clapp & Graham : 
1300. .Knoedler & be 
12,50 GeH.Buek ; am 
210. Clapp & Graham , 
45. WmeH Wheelock 
110. H.Steinhnrater 
60. W.W-Beamen-” 


Buyers 


Otto Bernet, Agt. 
HeR.Dulany, Jre 
Mre.F.L.Harrison 
Robt .Hyman 
Charles Hastings 
Robt «Hyman 
A.Reimarnn 
Wm.A.Burnett 
Scott & Fowles 
Macbeth Galleries 
C.W. Band 
Mrs.Geo.Leary 
Scott & Fowles 
Holland Galleries 
C.W. Band 

Boott & Fowles 
Otto Bernet, Agte 
Holland Galleries 
Otto Bernet, Agt. 
Holland Galleries 
Dr.F Frank 

R.E. Layman 

Otto Bernet, Agte 


Ke Henderson 


Macbeth Galleries 
W.W.Seaman, Agt. 
JeCeWillever 
Andrew J Edger 
Wm. HeWheelock 
Robt .Hyman 

David H.Taylor 
M.Knoedler & Co» 
C.AeGuglielmetti 
Otto Bernet, Agte 
FPeW.Worker 
C,A.Guglielmetti 
RE. Layman 


Ke Henderson 
¥, Dr.F.Frenk. 
 WeWeSeaman, Agte 


Holland Galleries 


-@.Thomson Parker 


Holland Galleries 
Albert Goldman 
W.W.Seaman, Agt. 
Scott & Fowles 

" 


Ralston Galleries 
4. Reimann 


Park Ave.Antique Shop. 


G.Thomson Parker 
Holiand Galleries 
W.W.Seamen, Agt. 


Brices Buyers 
$ 260. K. Henderson 
510. Rehn Galleries 
2600. C.W.KXraushaar 
1106 E.T.Gleason 
90. Wm.A.Burnett 
160, Mr.Le roy 
70. G.Thomson Parker 
425. WeW.Seaman, Agt. 
1206 G.C.Comst odk 
100. G.Thomson Parker 
1150. Otto Bernet, Agt. 
125 ° Robt «Hyman 
105. C.A.Guglielmetti 
6506 John Levy 
350 € Dr oF «Frank 
135. G.Thomson Parker 
325 6 C.W- Band 
80. wm.4. Burnett 
4100. C.W-Kraushaar 
750. Holland Galleries 
2900. A.Reimann 
475. Dr.F.Frank 
650. Clapp & Graham 
4900. John Levy 
925. Mrs.E.?.Hunt ingto 
37506 Clapp & Graham 
4200. John Levy 
1325, M.Knoedler & Co. 
625. Holland Galleries 
3756 Scott & Fowles 
2506 C.WeKraushaar 
2606 G.Thomson Parker 
220.4 Holland Galleries 
2300. Clapp & Graham 
2000 CeJeMcDonough 
160. Wm. A. Burnett 


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